驚為天人用英語怎麼翻譯

『壹』 浜烘皯鐨勫悕涔夎嫳鏂囩炕璇

闂棰樹竴錛氫漢姘戠殑鍚嶄箟鐨勮嫳璇鎬庝箞璇 浜烘皯鐨勫悕涔夌殑鐨勮嫳鏂囩炕璇慱鐧懼害緲昏瘧
浜烘皯鐨勫悕涔夌殑
In the name of the people
people_鐧懼害緲昏瘧
people 鑻盵?pi:pl] 緹嶽?pip?l]
n. 浜烘皯; 浜猴紝浜虹被; 灞呮皯; 縐嶆棌;
vt. 灞呬綇浜庯紝甯冩弧; 浣誇綇婊′漢錛屽湪鈥︽畺姘; 鎶婂姩鐗╂斁鍏誨湪;
[渚嬪彞]Millions of people have lost their homes.
[鍏朵粬] 鍘熷瀷錛 person 絎涓変漢縐板崟鏁幫細peoples 澶嶆暟錛歱eoples鐜板湪鍒嗚瘝錛歱eopling 榪囧幓寮忥細peopled 榪囧幓鍒嗚瘝錛歱eopled

闂棰樹簩錛氫漢姘戠殑鍚嶄箟鑻辨枃鎬庝箞璇 浜烘皯鐨勫悕涔
In the Name of People鏇村氶噴涔>>
[緗戠粶鐭璇璢

浠ヤ漢姘戠殑鍚嶄箟 Im Namen des Volkes
浠ユ剰澶у埄浜烘皯鐨勫悕涔 In Nome Del Popolo Italiano

闂棰樹笁錛氫漢姘戠殑鍚嶄箟鑻辮鎬庝箞璇寸殑鏈鏂扮浉鍏充俊鎮 waves of optimi *** , there鈥

闂棰樺洓錛氥婁漢姘戠殑鍚嶄箟銆8鍙ユ墡蹇冨彴璇嶏紝緲昏瘧鎴愯嫳璇鎬庝箞璇 縐嶆儏,娌夐粯鏃犺█,浣嗚凍浠ヤ護浜轟負涔嬫劅鍔錛涙湁涓縐嶇埍,鏃犳ㄦ棤鎮,鍗充究鏄鐗虹壊涓鍒囦篃涓嶆眰鍋胯繕.褰撻庨洦涓鐨勬ュ飽宸茬粡鐤叉儷,褰撳栫晫鐨勭敓媧婚伃閬囧洶闅,褰撳績澶寸殑鑻﹁》闇瑕佸捐瘔,鏈変竴鎵囧ぇ闂ㄦ案榪滀負浣犳暈寮.灝界¤繖闂村眿鑸嶅苟涓嶅崕涓,浣嗗畠瓚充互閬鎸＄獥澶栫殑椋庨洦,璁╀綘閲嶆柊鐕冭搗瀵圭敓媧葷殑鐑鎯.榪欏氨鏄瀹,涓涓鍏呮弧鐖辯殑娓婀. 璁板緱閭ｆ槸涓涓闆ㄥぉ.瀛︽牎鏀懼︾殑 *** 鍒氬垰鍝嶈搗,鍚屽︿滑灝卞儚娼姘磋埇娑屼簡鍑烘潵.鎴戝悓鏍瘋繄鐫鍏村嬬殑姝ヤ紣濂斿悜鎺ユ垜鐨勭埛鐖.紿佺劧,鎴戞劅鍒版湁浜哄皢鎴戠寷鍦頒竴鎺,鎴戜竴澶存牻榪涗簡姘村潙閲.欏挎椂,鎵嬩笂銆佽。鏈嶄笂銆侀瀷琚滀笂閮芥簿婊′簡娉ュ反.嫻戣韓涓婁笅婀挎級婕夌殑,濂藉喎!鍙瑙佹帹鎴戠殑閭ｄ釜浜,杞韜璺戣繘浜嗕漢緹や腑.鎴戔滃搰鈥濆湴鍝浜嗚搗鏉,榪欐椂娌℃湁浜轟笂鏉ュ府鍔

闂棰樹簲錛氥婁漢姘戠殑鍚嶄箟銆嬫湁浜嗚嫳鏂囩増 鐪嬬湅鍥藉栫綉鍙嬫庝箞璇勪環 鐑鐑堝簡紲濇眽涓滅敺瀛愬ぉ鍥㈣蛋鍑哄浗闂錛岃蛋鍚戜笘鐣!
鏈榪戱紝杈懼悍涔﹁板湪寰鍗氫笂鐨勪竴鍒欑姸鎬佸紩璧蜂簡浜轟滑鐨勬敞鎰忋備粬琛ㄧず奼変笢鐢峰瓙澶╁洟緇堜簬鍥介檯鍖栦簡!
鍏跺疄銆婁漢姘戠殑鍚嶄箟銆嬪浗闄呭寲閬撹礬涔熶笉鏄浠婂ぉ鎵嶅紑濮嬬殑錛 鐢氳嚦浠庡紑鎾鍓嶅氨寰楀埌浜嗕笉灝戞潵鑷嫻峰栫殑鍏蟲敞銆傚逛簬姝鏋滀粊鏉ヨ達紝鍒璇村逛簬涓鍥藉畼鍦猴紝灝辨槸瀵逛簬涓鍥戒粬浠閮藉瓨鍦ㄧ潃鏋佸ぇ鐨勫ソ濂囧績銆備竴鍚鑻辨枃濯掍綋鎶娿婁漢姘戠殑鍚嶄箟銆嬩粙緇嶆垚涓鍥界増鏈鐨勩婄焊鐗屽眿銆嬫洿鏄涓涓涓閮藉潗涓嶄綇浜嗏曗曢泦浣撹〃紺哄ぇ灝哄害璐鑵愬墽鏍規湰涓嶈兘閿欒繃!涓嶈繃鑰佸疄璇達紝鐪嬨婁漢姘戠殑鍚嶄箟銆嬬殑閭ｄ簺姝鏋滀粊鍐呭績涓瀹氭槸鏃㈠叴濂嬪張闈炲父宕╂簝鐨勩
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鑰岄偅浜涙湰韜灝辨噦涓鏂囩殑澶栧浗浜烘垨鑰呭叾浠栧氨璇昏嫳璇涓撲笟鐨勪腑鍥藉︾敓鐢氳嚦鎰挎剰甯蹇欎竴璧風炕璇戙
涓嶈繃錛岃櫧璇磋繖浣嶇炕璇戝畼鐨勭炕......>>

闂棰樺叚錛氱湅銆婁漢姘戠殑鍚嶄箟銆嬪﹁嫳璇錛氳繖浜涘弽鑵愯瘽棰樼敤鑻辨枃鎬庝箞璇達紙 鍙嶈厫璇濋
Anti-corruptive topics

闂棰樹竷錛氱湅浜烘皯鐨勫悕涔夊﹁嫳璇錛氬弽鑵愯瘽棰樿嫳鏂囨庝箞璇 Anti-corruption topic

闂棰樺叓錛氫漢姘戠殑鍚嶄箟鍚嶅彞鏈変簨鑰呬簨絝熸垚鏄閭ｄ釜璇寸殑 榪欏彞璇濇槸鍑鴻嚜鍚庢眽涔︼紝奼夊厜姝﹀笣鍒樼璧炵編鑰縨鐨勮瘽銆

闂棰樹節錛氳烽珮鎵嬪府蹇欑炕璇戞垚鑻辨枃錛屼笉鑳滄劅嬋! 255鍒 Overseas training regulations
I. Basic requirements
(a) in accordance with the central government on going abroad (border) new spirit and new requirements of training, strictly control the overall scale of training, training programs to further optimize the structure, improve the pertinence and professional projects, encourage research and proction needs, bined with the domestic and international counterparts to carry out the same professional monographic study of the training program, further the increase of scientific research and proction of professional and technical personnel, especially in the long-term training talents reserve proportion, resolutely stop the general scale of the project rebound.
(two) improve the pertinence and effectiveness of training programs, and further improve the quality of training. To do a good job of training needs *** ysis and project research necessity, according to China's economic and social development of key instries and key areas of the bottleneck problem of determining project, clear training, selection of trainees, overseas institutions preferred task training, carefully designed training courses. According to the actual needs of the project according to the annual continuous or step-by-step implementation of the project until the problem. The training of the theme and content of the main business and must be consistent with the group units, intend to visit the country (region), and the consistent advantages ......>>

『貳』 What a piece of work is man 莎劇中譯誰最好

莎士比亞筆下著名悲劇《哈姆雷特》，又名王子復仇記。中國人在上世紀初已經引入譯本，最早有光緒29年（即1903年）上海出版的文言文版《報大仇韓利德殺叔》（未曾親見，可以想見其中國古代章回體小風格），後有1904年另一文言譯本，譯者是後來被康有為譽為「譯才並世數嚴林」的林紓，其與人合譯莎劇《英國詩人吟邊燕語》之《鬼沼》。民國時期則先有1921年田漢根據日文翻譯的《哈孟雷特》，1930年邵挺《天仇記》等，而更有名的如梁實秋譯莎士比亞全集，朱生豪譯莎劇全本等。據介紹，國人翻譯哈姆雷特的總譯本達40餘種；而有翻譯家及莎學家如裘克安先生提出，對莎劇，包括對哈姆雷特的翻譯是沒有止境的。但林林總總，難免泥沙俱下，尚需披沙砬金，才可擇善而從。
本博幾年前曾為翻譯一部法律著作中所引莎劇段落而費力不止，直至查得朱生豪譯本驚為天人，遂停譯此段，直接引用朱譯本，並在後記中詳述此節。此後，本博便對朱譯敬欽不已，以為天下莎劇之中譯，首推朱先生之妙筆，真真與莎翁原著契合。後來又翻查資料，得知朱生豪以性命相博而終譯出莎劇31部半，但也以32歲之壽終，更是令人唏噓感嘆！
前幾日為查美國專利法教材在關於新穎性（Novelty）一章開關所引莎翁一句話「Shall my anticipation prevent your discover」,而進一步閱讀該劇並中譯，再次感受了朱譯之美。這句話為美國法學教授用於美國專利法關於novelty與statutory bars合稱anticipation，的確非常生動，而且說明了anticipation就破壞了構成發明或discovery獲得專利之條件。查此句出自第2場第2幕，原文為：「I will tell you why; so shall my anticipation prevent your discovery, and your secrecy to the King and queene: moult no feather」
而此段再接著讀，就引出了該劇一段光彩照人的排比名句。恕本博晚知，少年時在朗誦會上（那時的班會、晚會流行此風）曾聽人讀過的「人是多少了不起的一件傑作，宇宙的精華，萬物的靈長」，不想原文出處居然著墨於此。於是，又找來最有影響的兩種譯本閱讀。不過，對照之下，證明吾言非虛。梁實秋的譯文或許看起來比較文雅，但實難稱得上是一個好的劇本之譯，因為沒法表演或者誦讀。而朱生豪譯本可謂一節三嘆，與原著之意韻皆出。（