科幻片介紹用英語怎麼說

㈠ 任意一部科幻片的英文簡介不要太專業要初一水平

While visiting the Earth at Night, a group of alien botanists is discovered and disturbed by an approaching human task force. Because of the more than hasty take-off, one of the visitors is left behind. The little alien finds himself all alone on a very strange planet. Fortunately, the extra-terrestrial soon finds a friend and emotional companion in 10-year-old Elliot, who discovered him looking for food in his family's garden shed. While E.T. slowly gets acquainted with Elliot's brother Michael, his sister Gertie as well as with Earth customs, members of the task force work day and night to track down the whereabouts of Earth's first visitor from Outer Space. The wish to go home again is strong in E.T., and after being able to communicate with Elliot and the others, E.T. starts building an improvised device to send a message home for his folks to come and pick him up. But before long, E.T. gets seriously sick, and because of his special connection to Elliot, the young boy suffers, too. The situation gets critical when the task force finally intervenes. By then, all help may already be too late, and there's no alien spaceship in sight.

㈡ 科幻電影用英語怎麼說

science fiction film
[例句]我喜歡看科幻電影!
I love science fiction movies!

㈢ 科幻電影 用英語怎麼說

Science fiction movies

㈣ 科幻片的英文怎麼說

Science fiction 科幻小說
Science fiction movie 科幻電影

㈤ 找科幻電影的英文簡介

As one can conclude from the term science-fiction movie, these films have a background of an advanced, fictional technology that is normally set in the future. Most of these movies have in common that they expose their own vision of the future, with new technologies commonly being the most noticeable change in these hypothetical worlds. Besides visions about all kinds of scientific areas, the given context of this work concentrates particularly on computer interfaces.

As a part of the seminar "Intelligent Spaces" approaches of mainstream science fiction motion pictures are extracted and analysed regarding their references in real-life human computer interaction (HCI) designs. Similarities to ongoing researches will be outlined - especially to those, which are presented by other talks of this seminar that have already taken place. To be able to draw comparisons to reality it is often necessary to view the ideas and visions of a movie on a relatively abstract level.
At first some key factors that determine or influence the design of HCI in movies will be discussed. Starting from this viewpoint numerous examples from selected movies will be observed. Due to the limitation of the material that was at hand, we cannot claim to provide a complete overview of all movies, but the available selection should suffice and allow a representative inspection of the movie scene.
We will start with a review of movies that do not show any concepts at all or merely adapt common everyday techniques of that time. The second and main part introces visionary interaction design, divided into different areas of interaction technologies, followed by a brief view at a couple of satiric movie scenes and the conclusions of this work in the end.

㈥ 科幻片用英語怎麼說

the science fiction movie

㈦ 科幻片的英語怎麼寫

science fiction film
science fiction movie

祝你學習進步，更上一層樓！請記得採納，謝謝！(*^__^*)……

㈧ 戰爭片和科幻片用英語怎麼翻譯

戰爭片：a war film
科幻片：sci-fi 即science fiction縮寫

㈨ 如何用英文介紹科幻

seeing God in his creation, and not only as the Creator. Knowledge and insight could be obtained through intuition. Though the flourish of this trend only lasted about 10 years, the influence of Transcendentalism was pervasive and far-flung; many American writers succeeded Emerson and published their transcendental works: Henry David Thoreau[11] and Margaret Fuller[12]. Examples of the spirit of transcendentalism can be seen continuing into the 20th century. Walt Whitman claimed transcendentalism lid him in the writing of Leaves of Grass; more than likely, Emily Dickinson could have said the same about her poetry. Nathaniel Hawthorne, although never fully accepting the principles of transcendentalism, was profoundly affected by it.

Realism is not a novel term in literature. Early back to Dickens time, many European Realists committed themselves to 「faithful representation of the reality」 and established a great many vivid characters. However, this term was endowed with new meaning in American literature. It encompasses the period of time from the Civil War to the turn of the century ring which William Dean Howells, Rebecca Harding Davis, Henry James, Mark Twain[13], and others wrote fiction devoted to accurate representation and an exploration of American lives in various contexts. As the United States grew rapidly after the Civil War, the increasing rates of democracy and literacy, the rapid growth in instrialism and urbanization, an expanding population base e to immigration, and a relative rise in middle-class affluence provided a fertile literary environment for readers interested in understanding these rapid shifts in culture. It would apprehend in all particulars the connection between the familiar and the extraordinary, and the seen and unseen of human nature[14]. Again, Realism in America developed into a new phase: Naturalism[15]. Despite its clear heritance for Realism, Naturalism is more of a new trend distinctly different. Both Naturalism and Realism excel in truthful descriptions of life, while Naturalism implies a philosophical position that human beings can be studied through their interrelation with surroundings. The motif of Naturalism is human beings instead of incidents. In some sense, Naturalistic novels are more real than Realism, for their descriptions and concerns are more life-like: their settings common and unpleasant, their characters inferior and less heroic. Characters do not have free will; external and internal forces, environment, or heredity control their behavior and pessimism e to the pressure of material society is prevailing. Representatives of this phase are Frank Norris (1870-1902 Moran of the Lady Letty published in 1899); Theodore Dreiser (1971-1945 Sister Carrie in 1900); Jack London (1876-1916 The Call of the Wild in 1903); Stephen Crane (1871-1900 The Red Badge of Courage); Edith Wharton (1862-1937 The House of Mirth in 1905); Ellen Glasgow (1874-1945 Barren Ground in 1925)[16].

With the accrual possibility of global cultural intermingle, modern society is no longer developing in a hermetic environment; modern literature is especially so. When touching upon Modernism, people usually perceive European and American Modernism as a whole. Here we put our focus on the proper characteristics of American Modernism. When Europe was bemisted in world wars, American economy, on the contrary, was developing by leaps and bounds; therefore, instrialization of America was far more complete and downright than European continent. The pressure of highly instrialized society and diversified culture brought by immigrants strengthened people』s zest and determination to break away from the old social norms and an equally enthusiastic search for the real meaning of life. Many new terms suddenly sprout out： 「Lost generation」, 「hippies」, etc. serve as a proclamation of independence from the past traditions. American modernists, as profound and abstruse as their European contemporaries, are undoubtedly more comprehensive and diversified. Writers of this phase created many immortal masterpieces: F. Scott Fitzgerald[17] summarized the experiences and attitudes of the decade in his The Great Gatsby (1926); Ernest Hemingway explored eternal question of life and death in his Farewell to Arms (1929) and The Sun Also Rises (1926); Henry James displayed themes of morality in The Portrait of a Lady (1881). At the same time, literature concerning minorities, American blacks, Judaism, etc. also starts glittering. Literature has entered a diversified age.

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[1] Washington Irving (1783-1859): Early American Novelist, was called 「the Father of American Literature.」 Major works include: The Sketch Book Of Geoffrey Crayon, Gent. (1819-20), Columbus (1828), Alhambra (1832), The Cayon Miscellany (1835)

[2] Fennimore Cooper (1789-1851): Early American novelist, whose best-known tales of frontier adventure include The Last Of The Mohicans (1826), The Pathfinder (1841) and The Deerslayer (1840)

[3] Floruit: n. the period ring which a person, school, or movement was most active or flourishing; 繁盛期

[4] Transcendentalism: n. a philosophy associated with Kant, holding that one must transcend empiricism or what is experienced in order to ascertain the a priori principles of all knowledge. 先驗論與康德有關的一種哲學，認為人必須超越經驗主義或體驗到的東西以探知所有知識的先驗原則; 先驗說, 超越論

[5] Puritanism: n. the practices and doctrines of the Puritans; scrupulous moral rigor, especially hostility to social pleasures and inlgences; 清教徒的習俗和教義; 道德上的極端拘謹

[6] Quaker: n. a member of the Society of Friends; 貴格會教徒教友協會的成員

[7] Unitarianism: n. a Christian group that holds members should be free to believe what they want; 唯一神教派(基督教一派, 認為上帝系單一者, 反對三位一體的說法)的信徒

[8] Deism: n. the belief, based solely on reason; 自然神論, 自然神教派(信上帝之存在及創世界,但對其所創造的世界及世人未加以支配)

[9] See：http://www.csustan.e/english/reuben/pal/chap4/4intro.html

[10] Orthodox: adj. adhering to the accepted or traditional and established faith, especially in religion; 正統的堅持 被接受的或傳統的和業已建立的信念; 東正教的

[11] Henry David Thoreau (1817-1862): American author, major works: Civil Disobedience (1849), Walden (1854), Slavery in Massachusetts (1854)

[12] Margaret Fuller: Early American Essayist and writer. Major works include: The Great Lawsuit. Man versus Men. Woman versus Women.(1843), Summer On the Lakes (1844), Women in the Nineteenth Century (1845)

[13] William Dean Howells (1837-1920): American Dramatist and Novelist, major works: A Selected Edition of W. D. H. (1969); A Modern Instance and The Rise Of Silas Lapham (1875-86); The Minister's Charge, Annie Kilburn (1886-88); Rebecca Harding Davis (1831-1910): American Novelist. Major works: Life in the Iron Mills, Waiting for the Verdict, Rebecca Harding Davis: A Reader. Mark Twain: American novelist and humorist. Major works: The Innocents Abroad (1869), The Adventures of Tom Sawyer (1876), The Prince and the Pauper (1881), Life on the Mississippi (1883), Adventures of Huckleberry Finn (1884), The Mysterious Stranger (1916)

[14] See: http://guweb2.gonzaga.e/faculty/campbell/enl311/realism.htm

[15] Naturalism: n. a literary trend that practice describing precisely the actual circumstances of human life in literature; 一種精確地描述人類現實環境的實踐的文學流派；自然主義

[16] Frank Norris (Moran of the Lady Letty); 弗蘭克·諾里斯《萊蒂夫人號的莫蘭》；Theodore Dreiser (Sister Carrie); 德萊賽《嘉莉妹妹》；Jack London (The Call of the Wild); 傑克·倫敦 《野性的呼喚》；Stephen Crane (The Red Badge of Courage); 斯蒂芬·克萊恩《紅色英勇勛章》；Edith Wharton (The House of Mirth); 華頓《歡樂之家》；Ellen Glasgow (Barren Ground)；埃倫‧格拉斯哥《荒涼地》

[17] F. Scott Fitzgerald (1896-1940) : American novelist. The Great Gatsby：《了不起的蓋茨比》

㈩ 求一篇科幻片的英文簡介

n a universe as vast as it is mysterious, a small but powerful force has existed for millenniums. Protectors of peace and justice, they are called the Green Lantern Corps. A brotherhood of warriors formed by the different races from entire universe sworn to keep intergalactic order, each Green Lantern wears a ring that grants him superpowers. But when a new enemy called Parallax threatens to destroy the balance of power in the Universe, their fate and the fate of Earth lie in the hands of their newest recruit, the first human ever selected for the Corps: Hal Jordan.

Hal is a gifted and cocky test pilot, but the Green Lanterns have little respect for humans, who have never harnessed the infinite powers of the ring before. But Hal is clearly the missing piece to the puzzle, and along with his determination and willpower, he has one thing no member of the Corps has ever had: humanity. With the encouragement of fellow pilot and childhood sweetheart Carol Ferris (Blake Lively), if Hal can quickly master his new powers and find the courage to overcome his fears, he may prove to be not only the key to defeating Parallax he will become the greatest Green Lantern of all.