介紹二胡樂器英語怎麼說

『壹』 「二胡」用英語怎麼說

二胡自
拼音：
[èr hú]
釋義：
erhu,erhu, a two-stringed bowed instrument with a lower register than jinghu
短語：
二胡 Urheen;Erh hu;Ehru二胡魂 THE SPIRIT OF ERHU二胡傳奇 Tales of Erhu;The Legend of Erhu

『貳』 翻譯 哪位高人能用韓語介紹下中國古代樂器！比如二胡·古箏·琵琶·笛子等。字數越多越好！附中文翻譯。謝

1. 你是從哪裡畢業的?學的是什麼專業?
어느 학교 나왔어요? 전공은 뭐에요?

我專科是在國內的XX學校就讀的,現在更名為XX.學的專業是財政金融學.本科是XX學校,專業是汽車機械工學.
저는 국내 **학교졸업했고 지금은 **라고 개명하고 제정금용학을 배웠습니다 본과는 **학교이고 전공은 자동치 기계공학이에요

2. 你是哪年畢業的?畢業到現在都做了什麼工作?
당신을 언제 졸업했어요? 졸업후 어떤직장 다니셨어요?

回國後在青島一家服裝設計公司作生產翻譯(經理助理).07年來到大連,在一家生物工程公司做培訓工作.
귀국후 청도의 복장디자인 설계회사에서 생산 통역(경리 조수)했고 07년 대련의 한 생물공정회사에서 직원을 양성하는 직무를 맡았습니다.

3. 原來的工作主要做什麼?
원래는 어떤 직장다니였어요?

我之前在一家生物工程公司做培訓(市場及培訓)主管工作.主要負責制定公司的各種培訓計劃及進行相關的培訓.例如:新員工培訓,自我激勵培訓及企業與員工關系培訓等.
전에는 한 생물공정회사에서 직원양성(시장및 양성)업무를 맡은 적이 있습니다. 회사의 각종 양성계획과 관련되 양성교육을 책입졌습니다. 예를 들면:인턴사원 양성, 자아 격리 양성 및 기업과 사원간의 관계 양성등.

4. 你是在哪兒知道我們公司的?為什麼來我們公司?來了想做什麼工作?
당신은 어떻게 우리회사를 알았어요? 무었때문에 우리회사에 입사 동기는? 입사후 어떤 업무를 맡을 것인가?

我在XX的時候就知道XX公司,這是一家非常有名氣的大公司.我個人非常喜歡XX的廣告語:因為一個人有夢想,就一定會有未來.未來是從夢想開始的.當然,並不完全是廣告語在吸引我.其實,我一直在關注能否有這樣的機會加入.成為他的一員.現在,機會來了.
저는 **회사에 몸담고 있을 때 부터 **회사를 알고있습니다, 이회사는 아주큰 회사입니다. 저는 개인적으로 **회사의 광고어 :'사람은 꿈이있으면 미래가 있다 . 미래는 꿈부터 시작이다'를 아주 좋아한다. 당연히 광고어만 나의 눈길을 사로 잡은것은 아니다. 사실 나는 원래부터 이회사에 가입할 기회가 있기를 원했고 회사의 한 회사원이 돼고자 했는데 지금 그 기회가 왔네요.

5. 對崗位的認識
직장에 대한 인식

6. 以後打算從事什麼方向的工作?十年後將成為什麼樣的人?
어떤 직장을 하고 싶어요? 10년후 어떤 사람이 되고 싶어요?

我很想從事企業管理及市場戰略方面的工作.因為我比較喜歡有挑戰性的工作.至於十年後想成為什麼樣的人,我想是像錢港基那樣的人.
저는 기업관리 및 시장전략방면의 일을 하고 싶어요. 외냐하면 저는 도전성 있는 직장을 좋아합니다. 10후에 어떤 사람이 되는 것은 저는 전강기같은 사람이 될겁니다.

7. 你認為你和公司是什麼關系?
당신은 회사와 어떤 관계라고 생각합니까?

像家一樣.我的第二個家.
집같이 생각합니다 , 저의 두번째 집.

8. 大學成績如何?
대학교 성적은 어떠세요?

很好.
아주 좋습니다.

『叄』 二胡簡介英文翻譯....

The urheen begins in the Tang Dynasty, until now already some more than 1000 years history.It originated most early in our country ancient times north a local national minority, was called 「 Xi qin」 at that time.Song Dynasty scholar Chen Yi records 「Xi qin this Hu Le in "Happy Book" also ......」 the Tang Dynasty poet Cen senate to carry 「the armed forces to arrange a banquet drinks person returning from abroad, Chinese violin pipa and bamboo flute」 the verse, showed the Chinese violin started in the Tang Dynasty to spread, moreover is the Western bowed instrument and the ball pulls out the musical instrument always to call. To Song Dynasty, also names the Chinese violin is 「the Ji qin」.Song Dynasty superficial study Chen Yuan dresses up in "Matter Lin Guang Records" records like this: Ji Qinben Ji Kang makes, therefore 「Ji qin」.Song Dynasty scholar Shen Kuo in "Makes up Converses in writing · Happy Law" to record: 「The bright rather, the palace feast, instruction office actor Xu Yan plays the Ji qin, but only then urges somebody to drink a string certainly, spreads out not the easy qin, only uses a string end its tune.」 The explanation had the very high performance level in the Northern Song Dynasty time.When Emperor Xu Yanwei ministers' plays」 the Ji qin」, broke a string, still used another string to play the tune. The adept technique has not been cannot achieve.Afterwards Shen Kuo "Conversed in writing in Dream Brook" records 「the horse's tail Chinese violin along with the Chinese east, bent sound still resentment Chanyu.Bends the bow not shoots the wild goose, turns over to the wild goose not to mail out now.」 Explanation when Northern Song Dynasty had the horse's tail Chinese violin.

Yuan Dynasty "Yuan history · Ritual music Will" carries 「the Chinese violin system like fire not to think, curls Gu Longshou, two strings with bow lie it, string of the bow further elaborated the Chinese violin manufacture principle by the horse's tail」.Has spread over north Chiangnan to a bright peaceful and orderly times generation of Chinese violin, the beginning becomes the folk drama accompaniment and the musical instrument instrumental ensemble's main performance musical instrument. To the modern times, the Chinese violin only then changed the name as the urheen.Since more than half centuries, the urheen performance level entered the exuberant time.Mr. Liu Tianhua is modernist school's first ancestor, he has profited from the Western musical instrument performance technique and the skill, bold, the urheen localization is scientifically five the position, thus expanded the urheen range scope sufficiently, has enriched the expressive force, has established the new artistic connotation.From this, the urheen escapes Ying from the folk accompaniment to come out, becomes the unique solo musical instrument, also will enter the place of refinement music hall for later and music colleges and universities has laid the foundation. After new China is founded, national, the folk music development is very quick, in order to excavate the folk entertainer's artistic treasure vigorously, Hua Yanjun, Liu Beimao and so on the folk entertainer's urheen music is filled after the reorganization the phonograph record, causes the urheen performance art like mushroom growth swift and violent development.On the century 50's and the 60's have emerged Zhang Rui, Zhang Shao, the king class B successively for representative's one group of urheen ecationalist and the concert performer, under theirs influence, also trained the new urheen concert performer to pity Whiffen, Wang Guotong and so on.Urheen composer Liu Wenjin "the Great Wall Capriccio" and so on the urheen performance superior display, and innovates selously, causes the urheen to glow the new vitality and the extraordinary splendor.

The supplement - - provides the material according to "Chinese Cultural history 300 Topics", Song Dynasty is the external musical instrument and the area south of Yellow River culture fusion development second stage.While Song Yuan Ming and Qing Dynasties time, along with drama, acrobatics development, folk musical instrument 「banister」 「tile-roofed house」 emerged has developed own accompaniment musical instrument.The in which most main musical instrument is the source from Mongolian, the western region horse's tail Chinese violin (called two string qins), after the Ji qin which stays behind with the previous dynasty, roll over the zheng fusion, formulates the novel Chinese violin.This musical instrument symbolized fully the China stringed musical instrument moves towards maturely.Afterwards, as a result of the local opera melody of an aria style need, the Chinese violin split up graally, appears coordinates board Hu who Shaanxi opera, the Henan opera needed, the jinghu, the Beijing urheen which the Peking opera, the Hubei opera needed, the henan zhuizi to need to fall Hu, high Hu who the Guangdong Guangdong opera needed, the coconut hu which the Chao opera needed, the big tube which the Hunan flower drum used, the four stringed fiddle which the Mongolian traditional entertainment involving talking and singing used, the lid board which the Sichuan opera used, four strings which river South Vietnam transferred, the pillow qin which the Fujian Putian play used, the ox-leg qin which Dong Xi used, the strong play used the horse bone qin, Shanxi Opera used 2 ply string and so on stringed musical instruments.Therefore, the urheen in fact is in this multitudinous stringed musical instrument one kind, after it acquires fame by far in the Chinese violin.Therefore said 「the urheen」 begins in Tang Dynasty is inaccurate, should say 「the Chinese violin」 begins in the Tang Dynasty.
這個嗎？希望幫到你吧！

『肆』 二胡是一種樂器.翻譯

Erhu is a musical instrument.

『伍』 二胡。介紹。簡潔。

二胡是中國古老的民族拉弦樂器之一。關於二胡最早的記載是在宋朝，稱二胡為胡琴或南胡。在沈括《夢溪筆談》稱「馬尾胡琴隨漢車。」這是最早關於胡琴的文字記載，根據史書記載，二胡的前身可能是「奚琴」（稽琴），在唐代的北方奚族，用竹片夾在兩弦之間磨擦而發音的叫奚琴。到了公元十一世紀，宋代音樂理論書籍《樂書》有關於奚琴的記載：奚琴本胡樂也，出於弦而形亦類焉，奚部所好之樂，善其制，以竹扎之，至今民間用焉。」關於胡琴的記載在《元史·禮樂志》有這樣一段文字「制如火不思，卷頸龍首，二弦，有弓捩之，弓之弦以馬尾」。明代尤子求《麟堂秋宴圖》所繪的胡琴圖與現在的二胡很相似，即卷頸龍首，二弦，用馬尾拉奏，並置有千斤。

唐宋時期凡來自北方或西北方的撥弦樂器均稱琴，再向前推春秋時期，許多樂器無具體名稱，統稱琴。那麼琴為什麼加一「胡」字，據傳說，黃河以南的民族稱北方民族為胡人，這個拉弦樂是北方傳來的，認為是胡人製造，所以稱胡琴，為什麼又稱為二胡呢？因為是用二根弦拉奏，所以又稱二胡。

二胡在明清時代的民間就廣為流傳。近百年來，中國的許多民間藝人（如瞎子阿炳等）不斷在演奏上進行了改良和創新（包製作），已今非昔比，大大向關邁了一步。尤其一代宗師劉天華先生大膽地對二胡進行改良和創新，使二胡的演奏提高到了一個新的水平，劉天華的十大名曲至今仍久演不衰，是各類藝術院校的二胡必修教材。

現在的二胡製作大都不採用「卷龍首」，而是半月牙彎形狀，共鳴箱有六角、八角等多種形式，琴筒蒙以蟒皮，筒上裝琴桿，桿頂設二木軫，木軫至琴底張弦，以竹張弓，馬尾納二弦間，演奏時，左手按弦，右手拉弓，使馬尾與琴弦磨擦而發音，定弦為五度。有時為了表現地方特色也有用四度定弦的。從五十年代後，許多人對二胡進行改良，如絲弦改為鋼弦，採用機械轉軸，不有雙千斤，將二弦改為三弦稱為三胡（未被廣泛採用）。用四根弦稱四胡，原「東北音專」楊雨森教授改良大革胡（把弓子解放出來），在民族樂團內已採用，在民樂合奏中作為低音樂器伴奏，還有人專門為演奏「二泉」而製作的中音二胡（比二胡低五度），製作考究，音色渾厚，很受二胡界歡迎。

現在許多中等高等藝術院校均設有二胡專業，培養專門演奏人才，許多作曲家不專門為二胡寫了獨奏曲，在各類音樂會上成了久演不衰保留曲目，如「賽馬」、「江河水」、「山村變了樣」、「新婚別」、「草原新牧民」、「長城隨想」等。二胡不但在國內享有盛名，在國外也深受歡迎。各類文藝團體及劇團的樂隊、企事業單位演出隊都少不了二胡，尤其是戲曲劇團的樂隊，真是到「少了這個金珍菜，就辦不成八大碗」的境地。

二胡這件民族弓弦樂器在同仁志士的共同努力下，通過二胡演奏家的手指而產生
二胡 是我國優秀民族傳統樂器中最有特色的樂器，它的音色深厚、甜潤、純正而雅緻，能給人以悅耳動聽，剛勁而秀美之感，可表現各種情調的曲調、音型、長音等。改革開放以來，二胡走出國門，在維也納金色大廳里回盪起二胡獨奏「二泉映月」的樂曲時，震撼了世界愛好音樂人民的心聲。學習二胡是對少兒藝術素質的培養，學習毅力的鍛煉，有利於開發少兒智力。

二胡

二胡是中國著名的拉弦樂器，它的起源最早可以追溯到公元七至十世紀的中國唐代，當時主要流行在中國西北部的少數民族之中。在一千多年的發展史中，二胡一直是戲曲的伴奏樂器 。

二胡構造簡單，一根細細的木製琴桿，長約80厘米，琴桿上有兩根琴弦，琴桿下裝有茶杯形狀的琴筒，還有一把馬尾做的琴弓。琴師演奏二胡時採取坐姿， 左手持琴，右手持弓。二胡的音域可達三個八度。二胡發出的樂音有著豐富的表現力，它以接近於人聲的音色，成為一種富於歌唱性的樂器 ，有人還因此稱它為"中國式小提琴"。由於二胡的音色聽起來略帶憂傷，因而善於表達深沉的情感。

1949年後，二胡的製作、改革和演奏藝術得到了發展，它可以獨奏，也可以在歌舞和聲樂以及戲曲、說唱音樂中伴奏。在中國民族管弦樂隊中，二胡更 是一種主奏樂器，類似西洋管弦樂隊中小提琴的角色。

由於二胡製作簡單、廉價易學而又音色優美，因而深受中國人的喜愛，是中國民間普及率很高的樂器。

『陸』 彈二胡用英語中國古代樂器不加the

在英語中，西方樂器前要加 the，比如 play the guitar,play the violin,而在中國古樂器中，不需要加the，如 play erhu 等

『柒』 阿炳能彈奏多種樂器，但他以拉二胡而最聞名用英語怎麼說

Ah Bing, with a sophisticated command of various instruments, was most famous for his Erhu playing.

『捌』 拉二胡的英文是什麼、

play Erhu

詞彙解析：

play

1、讀音：英 [pleɪ] 美 [pleɪ]

2、詞義：

v. 玩；比賽；（在運動隊中）擔當；派...出場；帶；踢；擊（球）；走（棋子）；出牌；演奏；播放；扮演；假裝；上演；發揮（作用）；應付；處理；掠過；浮現；使輕快地活動；（噴泉）噴涌；做游戲

n. 游戲；戲劇；比賽；發揮作用；玩笑；間隙；閃爍；閃現

3、例證：

用作動詞 (v.)

Once he is free, he will play computer games.

只要他有空,他就玩電腦游戲。

用作名詞 (n.)

She watched the children at play in the park.

她看著孩子們在公園里嬉戲著。

(8)介紹二胡樂器英語怎麼說擴展閱讀

詞彙用法：

1、play的基本意思是指為了消遣和娛樂而進行身體的或精神的活動,即「玩,玩耍」,也可指與某人進行一場比賽,即「參加比賽」。play還可指「演奏樂器」。引申可指「開某人的玩笑」「扮演」「播放」「(泉水等)噴出」等意思。

2、play可用作及物動詞,也可用作不及物動詞。用作及物動詞時接表示球或樂器等名詞、代詞或that從句作賓語。有時還可接雙賓語,其間接賓語可轉化成介詞to或for的賓語,還可接由「(as+) n./adj. 」充當補足語的復合賓語。可用於被動結構。play還可用作系動詞,後接形容詞或名詞作表語。

3、當play後接名詞用於演出中作「扮演」解時,一般析為及物動詞; 作「假裝…玩」解時,常析為系動詞。

『玖』 用英語說彈奏二胡怎麼說 加不加the啊,加中國樂器加不加the啊

彈奏二胡Plays the urheen

『拾』 用英語描寫中國有名的樂器(二胡)100字

掩的,帶有詭秘的誘惑的色抄彩和波折性的騷動.它表現得若即若離,如玉生煙,如風剪水.這無疑是這條紐帶尚未形象化的最初的雛形了.更為確切地說,那是愛情中最為初始的感受.這樣的感受即帶有欲罷不能如吸嗎啡般迷離的沉醉,同時也更有相思和期盼交織著的毒癮發作期折磨地苦痛.這就好象是久被囚居在一個無人關顧暗室里的人,突然聽到那久違了的漸行漸近的腳步聲.於是,那一直緊鎖著的心門也裂開了一溜不易被人察覺的小縫,摒寧著呼吸期盼著門外人進一步試探性的敲門聲.可門外的手指遲疑著,門里的心焦慮著.一條有形的紐帶就這樣無聲的形成了!