介绍二胡乐器英语怎么说

『壹』 “二胡”用英语怎么说

二胡自
拼音：
[èr hú]
释义：
erhu,erhu, a two-stringed bowed instrument with a lower register than jinghu
短语：
二胡 Urheen;Erh hu;Ehru二胡魂 THE SPIRIT OF ERHU二胡传奇 Tales of Erhu;The Legend of Erhu

『贰』 翻译 哪位高人能用韩语介绍下中国古代乐器！比如二胡·古筝·琵琶·笛子等。字数越多越好！附中文翻译。谢

1. 你是从哪里毕业的?学的是什么专业?
어느 학교 나왔어요? 전공은 뭐에요?

我专科是在国内的XX学校就读的,现在更名为XX.学的专业是财政金融学.本科是XX学校,专业是汽车机械工学.
저는 국내 **학교졸업했고 지금은 **라고 개명하고 제정금용학을 배웠습니다 본과는 **학교이고 전공은 자동치 기계공학이에요

2. 你是哪年毕业的?毕业到现在都做了什么工作?
당신을 언제 졸업했어요? 졸업후 어떤직장 다니셨어요?

回国后在青岛一家服装设计公司作生产翻译(经理助理).07年来到大连,在一家生物工程公司做培训工作.
귀국후 청도의 복장디자인 설계회사에서 생산 통역(경리 조수)했고 07년 대련의 한 생물공정회사에서 직원을 양성하는 직무를 맡았습니다.

3. 原来的工作主要做什么?
원래는 어떤 직장다니였어요?

我之前在一家生物工程公司做培训(市场及培训)主管工作.主要负责制定公司的各种培训计划及进行相关的培训.例如:新员工培训,自我激励培训及企业与员工关系培训等.
전에는 한 생물공정회사에서 직원양성(시장및 양성)업무를 맡은 적이 있습니다. 회사의 각종 양성계획과 관련되 양성교육을 책입졌습니다. 예를 들면:인턴사원 양성, 자아 격리 양성 및 기업과 사원간의 관계 양성등.

4. 你是在哪儿知道我们公司的?为什么来我们公司?来了想做什么工作?
당신은 어떻게 우리회사를 알았어요? 무었때문에 우리회사에 입사 동기는? 입사후 어떤 업무를 맡을 것인가?

我在XX的时候就知道XX公司,这是一家非常有名气的大公司.我个人非常喜欢XX的广告语:因为一个人有梦想,就一定会有未来.未来是从梦想开始的.当然,并不完全是广告语在吸引我.其实,我一直在关注能否有这样的机会加入.成为他的一员.现在,机会来了.
저는 **회사에 몸담고 있을 때 부터 **회사를 알고있습니다, 이회사는 아주큰 회사입니다. 저는 개인적으로 **회사의 광고어 :'사람은 꿈이있으면 미래가 있다 . 미래는 꿈부터 시작이다'를 아주 좋아한다. 당연히 광고어만 나의 눈길을 사로 잡은것은 아니다. 사실 나는 원래부터 이회사에 가입할 기회가 있기를 원했고 회사의 한 회사원이 돼고자 했는데 지금 그 기회가 왔네요.

5. 对岗位的认识
직장에 대한 인식

6. 以后打算从事什么方向的工作?十年后将成为什么样的人?
어떤 직장을 하고 싶어요? 10년후 어떤 사람이 되고 싶어요?

我很想从事企业管理及市场战略方面的工作.因为我比较喜欢有挑战性的工作.至于十年后想成为什么样的人,我想是像钱港基那样的人.
저는 기업관리 및 시장전략방면의 일을 하고 싶어요. 외냐하면 저는 도전성 있는 직장을 좋아합니다. 10후에 어떤 사람이 되는 것은 저는 전강기같은 사람이 될겁니다.

7. 你认为你和公司是什么关系?
당신은 회사와 어떤 관계라고 생각합니까?

像家一样.我的第二个家.
집같이 생각합니다 , 저의 두번째 집.

8. 大学成绩如何?
대학교 성적은 어떠세요?

很好.
아주 좋습니다.

『叁』 二胡简介英文翻译....

The urheen begins in the Tang Dynasty, until now already some more than 1000 years history.It originated most early in our country ancient times north a local national minority, was called “ Xi qin” at that time.Song Dynasty scholar Chen Yi records “Xi qin this Hu Le in "Happy Book" also ......” the Tang Dynasty poet Cen senate to carry “the armed forces to arrange a banquet drinks person returning from abroad, Chinese violin pipa and bamboo flute” the verse, showed the Chinese violin started in the Tang Dynasty to spread, moreover is the Western bowed instrument and the ball pulls out the musical instrument always to call. To Song Dynasty, also names the Chinese violin is “the Ji qin”.Song Dynasty superficial study Chen Yuan dresses up in "Matter Lin Guang Records" records like this: Ji Qinben Ji Kang makes, therefore “Ji qin”.Song Dynasty scholar Shen Kuo in "Makes up Converses in writing · Happy Law" to record: “The bright rather, the palace feast, instruction office actor Xu Yan plays the Ji qin, but only then urges somebody to drink a string certainly, spreads out not the easy qin, only uses a string end its tune.” The explanation had the very high performance level in the Northern Song Dynasty time.When Emperor Xu Yanwei ministers' plays” the Ji qin”, broke a string, still used another string to play the tune. The adept technique has not been cannot achieve.Afterwards Shen Kuo "Conversed in writing in Dream Brook" records “the horse's tail Chinese violin along with the Chinese east, bent sound still resentment Chanyu.Bends the bow not shoots the wild goose, turns over to the wild goose not to mail out now.” Explanation when Northern Song Dynasty had the horse's tail Chinese violin.

Yuan Dynasty "Yuan history · Ritual music Will" carries “the Chinese violin system like fire not to think, curls Gu Longshou, two strings with bow lie it, string of the bow further elaborated the Chinese violin manufacture principle by the horse's tail”.Has spread over north Chiangnan to a bright peaceful and orderly times generation of Chinese violin, the beginning becomes the folk drama accompaniment and the musical instrument instrumental ensemble's main performance musical instrument. To the modern times, the Chinese violin only then changed the name as the urheen.Since more than half centuries, the urheen performance level entered the exuberant time.Mr. Liu Tianhua is modernist school's first ancestor, he has profited from the Western musical instrument performance technique and the skill, bold, the urheen localization is scientifically five the position, thus expanded the urheen range scope sufficiently, has enriched the expressive force, has established the new artistic connotation.From this, the urheen escapes Ying from the folk accompaniment to come out, becomes the unique solo musical instrument, also will enter the place of refinement music hall for later and music colleges and universities has laid the foundation. After new China is founded, national, the folk music development is very quick, in order to excavate the folk entertainer's artistic treasure vigorously, Hua Yanjun, Liu Beimao and so on the folk entertainer's urheen music is filled after the reorganization the phonograph record, causes the urheen performance art like mushroom growth swift and violent development.On the century 50's and the 60's have emerged Zhang Rui, Zhang Shao, the king class B successively for representative's one group of urheen ecationalist and the concert performer, under theirs influence, also trained the new urheen concert performer to pity Whiffen, Wang Guotong and so on.Urheen composer Liu Wenjin "the Great Wall Capriccio" and so on the urheen performance superior display, and innovates selously, causes the urheen to glow the new vitality and the extraordinary splendor.

The supplement - - provides the material according to "Chinese Cultural history 300 Topics", Song Dynasty is the external musical instrument and the area south of Yellow River culture fusion development second stage.While Song Yuan Ming and Qing Dynasties time, along with drama, acrobatics development, folk musical instrument “banister” “tile-roofed house” emerged has developed own accompaniment musical instrument.The in which most main musical instrument is the source from Mongolian, the western region horse's tail Chinese violin (called two string qins), after the Ji qin which stays behind with the previous dynasty, roll over the zheng fusion, formulates the novel Chinese violin.This musical instrument symbolized fully the China stringed musical instrument moves towards maturely.Afterwards, as a result of the local opera melody of an aria style need, the Chinese violin split up graally, appears coordinates board Hu who Shaanxi opera, the Henan opera needed, the jinghu, the Beijing urheen which the Peking opera, the Hubei opera needed, the henan zhuizi to need to fall Hu, high Hu who the Guangdong Guangdong opera needed, the coconut hu which the Chao opera needed, the big tube which the Hunan flower drum used, the four stringed fiddle which the Mongolian traditional entertainment involving talking and singing used, the lid board which the Sichuan opera used, four strings which river South Vietnam transferred, the pillow qin which the Fujian Putian play used, the ox-leg qin which Dong Xi used, the strong play used the horse bone qin, Shanxi Opera used 2 ply string and so on stringed musical instruments.Therefore, the urheen in fact is in this multitudinous stringed musical instrument one kind, after it acquires fame by far in the Chinese violin.Therefore said “the urheen” begins in Tang Dynasty is inaccurate, should say “the Chinese violin” begins in the Tang Dynasty.
这个吗？希望帮到你吧！

『肆』 二胡是一种乐器.翻译

Erhu is a musical instrument.

『伍』 二胡。介绍。简洁。

二胡是中国古老的民族拉弦乐器之一。关于二胡最早的记载是在宋朝，称二胡为胡琴或南胡。在沈括《梦溪笔谈》称“马尾胡琴随汉车。”这是最早关于胡琴的文字记载，根据史书记载，二胡的前身可能是“奚琴”（稽琴），在唐代的北方奚族，用竹片夹在两弦之间磨擦而发音的叫奚琴。到了公元十一世纪，宋代音乐理论书籍《乐书》有关于奚琴的记载：奚琴本胡乐也，出于弦而形亦类焉，奚部所好之乐，善其制，以竹扎之，至今民间用焉。”关于胡琴的记载在《元史·礼乐志》有这样一段文字“制如火不思，卷颈龙首，二弦，有弓捩之，弓之弦以马尾”。明代尤子求《麟堂秋宴图》所绘的胡琴图与现在的二胡很相似，即卷颈龙首，二弦，用马尾拉奏，并置有千斤。

唐宋时期凡来自北方或西北方的拨弦乐器均称琴，再向前推春秋时期，许多乐器无具体名称，统称琴。那么琴为什么加一“胡”字，据传说，黄河以南的民族称北方民族为胡人，这个拉弦乐是北方传来的，认为是胡人制造，所以称胡琴，为什么又称为二胡呢？因为是用二根弦拉奏，所以又称二胡。

二胡在明清时代的民间就广为流传。近百年来，中国的许多民间艺人（如瞎子阿炳等）不断在演奏上进行了改良和创新（包制作），已今非昔比，大大向关迈了一步。尤其一代宗师刘天华先生大胆地对二胡进行改良和创新，使二胡的演奏提高到了一个新的水平，刘天华的十大名曲至今仍久演不衰，是各类艺术院校的二胡必修教材。

现在的二胡制作大都不采用“卷龙首”，而是半月牙弯形状，共鸣箱有六角、八角等多种形式，琴筒蒙以蟒皮，筒上装琴杆，杆顶设二木轸，木轸至琴底张弦，以竹张弓，马尾纳二弦间，演奏时，左手按弦，右手拉弓，使马尾与琴弦磨擦而发音，定弦为五度。有时为了表现地方特色也有用四度定弦的。从五十年代后，许多人对二胡进行改良，如丝弦改为钢弦，采用机械转轴，不有双千斤，将二弦改为三弦称为三胡（未被广泛采用）。用四根弦称四胡，原“东北音专”杨雨森教授改良大革胡（把弓子解放出来），在民族乐团内已采用，在民乐合奏中作为低音乐器伴奏，还有人专门为演奏“二泉”而制作的中音二胡（比二胡低五度），制作考究，音色浑厚，很受二胡界欢迎。

现在许多中等高等艺术院校均设有二胡专业，培养专门演奏人才，许多作曲家不专门为二胡写了独奏曲，在各类音乐会上成了久演不衰保留曲目，如“赛马”、“江河水”、“山村变了样”、“新婚别”、“草原新牧民”、“长城随想”等。二胡不但在国内享有盛名，在国外也深受欢迎。各类文艺团体及剧团的乐队、企事业单位演出队都少不了二胡，尤其是戏曲剧团的乐队，真是到“少了这个金珍菜，就办不成八大碗”的境地。

二胡这件民族弓弦乐器在同仁志士的共同努力下，通过二胡演奏家的手指而产生
二胡 是我国优秀民族传统乐器中最有特色的乐器，它的音色深厚、甜润、纯正而雅致，能给人以悦耳动听，刚劲而秀美之感，可表现各种情调的曲调、音型、长音等。改革开放以来，二胡走出国门，在维也纳金色大厅里回荡起二胡独奏“二泉映月”的乐曲时，震撼了世界爱好音乐人民的心声。学习二胡是对少儿艺术素质的培养，学习毅力的锻炼，有利于开发少儿智力。

二胡

二胡是中国著名的拉弦乐器，它的起源最早可以追溯到公元七至十世纪的中国唐代，当时主要流行在中国西北部的少数民族之中。在一千多年的发展史中，二胡一直是戏曲的伴奏乐器 。

二胡构造简单，一根细细的木制琴杆，长约80厘米，琴杆上有两根琴弦，琴杆下装有茶杯形状的琴筒，还有一把马尾做的琴弓。琴师演奏二胡时采取坐姿， 左手持琴，右手持弓。二胡的音域可达三个八度。二胡发出的乐音有着丰富的表现力，它以接近于人声的音色，成为一种富于歌唱性的乐器 ，有人还因此称它为"中国式小提琴"。由于二胡的音色听起来略带忧伤，因而善于表达深沉的情感。

1949年后，二胡的制作、改革和演奏艺术得到了发展，它可以独奏，也可以在歌舞和声乐以及戏曲、说唱音乐中伴奏。在中国民族管弦乐队中，二胡更 是一种主奏乐器，类似西洋管弦乐队中小提琴的角色。

由于二胡制作简单、廉价易学而又音色优美，因而深受中国人的喜爱，是中国民间普及率很高的乐器。

『陆』 弹二胡用英语中国古代乐器不加the

在英语中，西方乐器前要加 the，比如 play the guitar,play the violin,而在中国古乐器中，不需要加the，如 play erhu 等

『柒』 阿炳能弹奏多种乐器，但他以拉二胡而最闻名用英语怎么说

Ah Bing, with a sophisticated command of various instruments, was most famous for his Erhu playing.

『捌』 拉二胡的英文是什么、

play Erhu

词汇解析：

play

1、读音：英 [pleɪ] 美 [pleɪ]

2、词义：

v. 玩；比赛；（在运动队中）担当；派...出场；带；踢；击（球）；走（棋子）；出牌；演奏；播放；扮演；假装；上演；发挥（作用）；应付；处理；掠过；浮现；使轻快地活动；（喷泉）喷涌；做游戏

n. 游戏；戏剧；比赛；发挥作用；玩笑；间隙；闪烁；闪现

3、例证：

用作动词 (v.)

Once he is free, he will play computer games.

只要他有空,他就玩电脑游戏。

用作名词 (n.)

She watched the children at play in the park.

她看着孩子们在公园里嬉戏着。

(8)介绍二胡乐器英语怎么说扩展阅读

词汇用法：

1、play的基本意思是指为了消遣和娱乐而进行身体的或精神的活动,即“玩,玩耍”,也可指与某人进行一场比赛,即“参加比赛”。play还可指“演奏乐器”。引申可指“开某人的玩笑”“扮演”“播放”“(泉水等)喷出”等意思。

2、play可用作及物动词,也可用作不及物动词。用作及物动词时接表示球或乐器等名词、代词或that从句作宾语。有时还可接双宾语,其间接宾语可转化成介词to或for的宾语,还可接由“(as+) n./adj. ”充当补足语的复合宾语。可用于被动结构。play还可用作系动词,后接形容词或名词作表语。

3、当play后接名词用于演出中作“扮演”解时,一般析为及物动词; 作“假装…玩”解时,常析为系动词。

『玖』 用英语说弹奏二胡怎么说 加不加the啊,加中国乐器加不加the啊

弹奏二胡Plays the urheen

『拾』 用英语描写中国有名的乐器(二胡)100字

掩的,带有诡秘的诱惑的色抄彩和波折性的骚动.它表现得若即若离,如玉生烟,如风剪水.这无疑是这条纽带尚未形象化的最初的雏形了.更为确切地说,那是爱情中最为初始的感受.这样的感受即带有欲罢不能如吸吗啡般迷离的沉醉,同时也更有相思和期盼交织着的毒瘾发作期折磨地苦痛.这就好象是久被囚居在一个无人关顾暗室里的人,突然听到那久违了的渐行渐近的脚步声.于是,那一直紧锁着的心门也裂开了一溜不易被人察觉的小缝,摒宁着呼吸期盼着门外人进一步试探性的敲门声.可门外的手指迟疑着,门里的心焦虑着.一条有形的纽带就这样无声的形成了!