京剧感想作文英语怎么说大全

❶ 描写京剧的英文作文 100字数限制

京剧又称来京戏，在台湾又称平源剧、国剧，是中国戏曲曲种之一。以北京为中心分布，遍布全国。京剧是十九世纪中期，融合了徽剧 和汉剧，并吸收了秦腔、昆曲、梆子、弋阳腔等艺术的优点，在北京形成的。京剧形成后在清朝宫廷内得到了空前的繁荣。京剧的腔调以西皮和二黄为主，主要用胡琴和锣鼓等伴奏，被视为中国国粹。京剧于2010年，获选进入人类非物质文化遗产代表作名录。

❷ 关于京剧的英语作文

在那景色秀丽的地方，有我迷人的故乡—江阴。江阴的公园不胜枚举，尤其是那黄山湖专公园，属一年四季都很美，都很有趣。

春天，公园里姹紫嫣红，桃花、杏花、迎春花……都开了，慢山遍野。蝴蝶和蜜蜂飞到花上，正忙着彩蜜呢。小草慢慢地从地里钻出了它的嫩芽，接着伸了个懒腰，好像在向春天问好。湖面清澈见底，如同一面硕大的银镜。湖边的一棵棵柳树在湖边给自己洗着发瓣。

夏天，骄阳似火，太阳像一个大火球。人们有的在大树下成阴，有的在火辣辣的太阳下走来走去，累得满头大汗。轻轻伸过手去摸一摸湖面，感觉热乎乎的。湖面上的荷花，有的才展开两三片花瓣儿，有的花瓣儿全都展开了，露出了嫩黄色小莲蓬，有的还是花骨朵儿，看起来饱胀得马上要破裂似的。

秋天，一阵微风吹来，树上的枫叶都掉了下来，在金沙摊玩的小朋友们一抬头就有一阵凉爽的风，湖面波光粼粼，令人心旷神怡。

冬天，下起了鹅毛大雪，好像给大地披上白色的毛皮大衣，小朋友们有的堆雪人，有的打雪仗……可开心了。

❸ 写一篇关于京剧文化的英语作文 要分成三段 急！！！谢谢

Beijing opera or Peking opera is a form of traditional Chinese theatre which combines music, vocal performance, mime, dance and acrobatics.The Peking opera painted face refers to the unique colorful make－up of an actor in the opera. It is characterized by the use of bright colors to exaggerate or distort his features

❹ 京剧的英语作文，急，在线等

Beijing opera or Peking opera is a form of traditional Chinese theatre which combines music, vocal performance, mime, dance and acrobatics.The Peking opera painted face refers to the unique colorful make－ of an actor in the opera. It is characterized by the use of bright colors to exaggerate or distort his features.In Peking opera, red is the color of loyalty and bravery, and yellow suggests old age. Blue is the sign of a rebellious character. White symbolizes treachery. Black signifies good vigorous character. Gold and silver are used on faces of deities, spirits and demons.And the Beijing opera costumes are also various and beautiful.We can tell them from the kinds and color of flowers in the costuumes.In a word ,Peking opera is such an intereting and beautiful art.

❺ 求一篇关于介绍京剧的70词英语作文，急急急

Beijing opera or Peking opera (simplified Chinese: 京剧; traditional Chinese: 京剧; pinyin: Jīngjù) is a form of traditional Chinese theatre which combines music, vocal performance, mime, dance and acrobatics. It arose in the late 18th century and became fully developed and recognized by the mid-19th century.[1] The form was extremely popular in the Qing Dynasty court and has come to be regarded as one of the cultural treasures of China.[2] Major performance troupes are based in Beijing and Tianjin in the north, and Shanghai in the south.[3] The art form is also enjoyed in Taiwan, where it is known as Guoju . It has also spread to other countries such as the United States and Japan.[4]
Beijing opera features four main types of performers. Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Beijing opera's characteristically sparse stage. They utilize the skills of speech, song, dance, and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the proction.[5] The layers of meaning within each movement must be expressed in timewith music. The music of Beijing opera can be divided into the Xipi and Erhuang styles. Melodies include arias, fixed-tune melodies, and percussion patterns.[6] The repertoire of Beijing opera includes over 1,400 works, which are based on Chinese history, folklore, and, increasingly, contemporary life.[7]
可自行删除文段。

❻ 求一篇介绍京剧的英文文章

Beijing opera or Peking opera (simplified Chinese: 京剧; traditional Chinese: 京剧; pinyin: Jīngjù) is a form of traditional Chinese theatre which combines music, vocal performance, mime, dance and acrobatics. It arose in the late 18th century and became fully developed and recognized by the mid-19th century.[1] The form was extremely popular in the Qing Dynasty court and has come to be regarded as one of the cultural treasures of China.[2] Major performance troupes are based in Beijing and Tianjin in the north, and Shanghai in the south.[3] The art form is also enjoyed in Taiwan, where it is known as Guoju (国剧; pinyin: Guójù). It has also spread to other countries such as the United States and Japan.[4]

Beijing opera features four main types of performers. Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Beijing opera's characteristically sparse stage. They utilize the skills of speech, song, dance, and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the proction.[5] The layers of meaning within each movement must be expressed in time with music. The music of Beijing opera can be divided into the Xipi and Erhuang styles. Melodies include arias, fixed-tune melodies, and percussion patterns.[6] The repertoire of Beijing opera includes over 1,400 works, which are based on Chinese history, folklore, and, increasingly, contemporary life.[7]

In recent years, Beijing opera has attempted numerous reforms in response to sagging audience numbers. These reforms, which include improving performance quality, adapting new performance elements, and performing new and original plays, have met with mixed success. Some Western works have been adopted as new plays, but a lack of funding and an adverse political climate have left Beijing opera's fate uncertain as the form enters the 21st century

❼ 观看京剧的英语作文

Last Sunday evening, my father, mother and I went to see Beijing Opera. I was looking forward to seeing it, because I heard that it was our national opera with a history of 200 years. It expresses Chinese culture. It’ full of famous stories, beautiful facial paintings, wonderful gestures and fighting. On the night before we started, I felt so excited that I couldn’t sleep well. When we got to the theater, I found there were so many people there. They looked very excited, too. Then I had a nice evening there. After seeing it, I think it is really wonderful.

❽ 写一篇内容是：上个星期天晚上、我和家人一起去看京剧后的心情和体会的英语作文

（中文作文供参考）

我侃京剧

现在的青年朋友不大喜欢京剧，可我对京剧却十分感兴趣。

我对京剧感兴趣都是受了爷爷奶奶的影响。他们酷爱京剧，只要电视里有京剧节目，如《九州戏苑》之类的，他们总是要看的。久而久之，我也受到感染。我发现，京剧中有许多传统文化的精华。

可说实在的，我对京剧知之甚少，只知道京剧讲究的是“唱念做打”，只知道京剧分为“生旦净末丑”五个行当。我常常把“正旦”和“花旦”混为一谈，甚至有时统称她们为“小旦”。完整的戏我只看过三部：《秦香莲》、《九江口》、《九道本》。现在文艺节目或是综艺晚会中所演出的京剧，大多是名剧名段，像这样的小段落我倒是看了不少。比较喜欢的是《锁麟囊》中“春秋亭外”一段，《徐策跑城》中“湛湛青天”一段，《玉堂春》中“苏三离了洪洞县”一段。

有人认为京剧节奏慢，听着不耐烦。其实不然，京剧节奏感强，速度有快有慢，但这都是根据剧情而定的。快，快得让你听都来不及听，还没弄明白是什么意思，它已经唱过去了。像《秦香莲》中“驸马爷近前看端详”一段，速度多快啊！如果电视机屏幕上不打字幕的话，那是根本听不清的。为什么这样快呢？就是为了表达包公愤怒的感情和急于让陈世美认下秦香莲的迫切心情。慢，慢得能一个字拖半分钟的音。像《贵妃醉酒》中杨贵妃的唱词多慢啊，这是为了体现杨贵妃那雍容华贵的气质和失落的心情。

总之，京剧艺术极富魅力，只要细细鉴赏，就能发现无穷无尽的妙处来。我会继续看京剧、研究京剧的，并希望越来越多的青少年朋友理解京剧，喜爱京剧。

❾ 京剧英语作文怎么写

你好，很高兴帮助你
1、Beijing Opera translation: a great taskIn recent years, more and more foreign dramas and operas are being performed in Chinese theatres. However, it seems that chances for foreign audience to enjoy Chinese traditional operas are relatively fewer, resulting in an unbalanced exchange between China and the other foreign countries in the world. Beijing Opera, the very repress introced to more audience of Chinese traditional operas, worth being of the entire world. Mrs. Elizabeth Wichmann-Walczak's version of Mei Lanfang's representative Beijing Opera work The Phoenix Returns to Its Nest sets a good example.2、A brief introction to Beijing OperaBeijing Opera (or Peking Opera) has existed for over 200 years.It is widely regarded as the highest expression of Chinese culture. It is known as one of the three main theatrical systems in the world. Artistically, Beijing Opera is perhaps the most refined form of opera in the world. It has deeply influenced the hearts of the Chinese people. Although it is called Beijing Opera, its origins are not in Beijing but in the Chinese provinces of Anhui and Hubei. After absorbing the operatic tunes of regional operas such as Han Opera, Hui Opera, and Kunqu Opera, it became a genre of national significance and popularity ring the 1790's. The charm of Beijing Opera lies in the comprehensive form of stage art. It is an organic combination of script literature, the performing techniques of "singing, reciting, dance-acting and acrobatics", music, painted-face make-ups and costumes, and so on.3、Beijing Opera translationThe early attempts to bring Chinese drama to the West mainly consisted in translation of traditional Chinese opera lyrics, which served as literature for the purpose of reading rather than performance. These include Xi Xiang .Ii and a great number of other Yuan dynasty operas. In 1741, Zhao Shi Gu Er, or as Edward Cave rendered it, Chau Shi Ku Eul: The Little Orphan of the Family of Chau, was translated into English. Three English versions' of this play were published in London, translated respectively by Edward Cave, William Hatchett and John Watts. Among the modern classics in Chinese modern drama translated into English were Cao Yu's Thundestorm by Wang Tso-Bang and A.C. Barnes and Wildness by James Liu. Since the late 1970s, many new Chinese plays have been collected in anthologies of translations of contemporary Chinese literature.以上资料，引用请注明出处（见“参考资料”）4、In this period, Peking opera became the most popular and economically developed form of urban stage entertainment in China and its actors, playwrights, and patrons were central figures in the popular imagination and cultural politics of the day. As a diverse group these actors and their allies worked within the context of a rapidly changing urban and national culture to overcome social and political discrimination and elevate their art to the level of internationally recognized cultural respectability. In the process, Peking opera was in many ways on the leading edge of modern transformations and experimentations in creating new meanings for popular theater, new dynamics of urban sociability, and new representations of gender, while at the same time serving as a symbol for a traditional culture that many sensed was receding under the pressures of modernization.
参考资料：浙江大学，邵佳，《戏剧翻译与文化——京剧翻译初探》，11－12页。