京剧的历史用英语怎么介绍

1. 用英语介绍京剧(不用太多)

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Beijing opera or Peking opera (simplified Chinese: 京剧; traditional Chinese: 京剧; pinyin: Jīngjù) is a form of traditional Chinese theatre which combines music, vocal performance, mime, dance and acrobatics. It arose in the late 18th century and became fully developed and recognized by the mid-19th century.[1] The form was extremely popular in the Qing Dynasty court and has come to be regarded as one of the cultural treasures of China.[2] Major performance troupes are based in Beijing and Tianjin in the north, and Shanghai in the south.[3] The art form is also enjoyed in Taiwan, where it is known as Guoju (国剧; pinyin: Guójù). It has also spread to other countries such as the United States and Japan.[4]

Beijing opera features four main types of performers. Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Beijing opera's characteristically sparse stage. They utilize the skills of speech, song, dance, and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the proction.[5] The layers of meaning within each movement must be expressed in time with music. The music of Beijing opera can be divided into the Xipi and Erhuang styles. Melodies include arias, fixed-tune melodies, and percussion patterns.[6] The repertoire of Beijing opera includes over 1,400 works, which are based on Chinese history, folklore, and, increasingly, contemporary life.[7]

In recent years, Beijing opera has attempted numerous reforms in response to sagging audience numbers. These reforms, which include improving performance quality, adapting new performance elements, and performing new and original plays, have met with mixed success. Some Western works have been adopted as new plays, but a lack of funding and an adverse political climate have left Beijing opera's fate uncertain as the form enters the 21st century.[8]

2. 英语怎么写京剧有几百年的历史

Beijing opera has a history of several hundred years.
这是京剧有几百年的历史的英译

3. 用英文介绍一下京剧发展

During the second half of the 20th century, Beijing opera witnessed a steady decline in audience numbers. This has been attributed both to a decrease in performance quality and an inability of the traditional opera form to capture modern life. Furthermore, the archaic language of Beijing opera required proctions to utilize electronic subtitles, which hampered the development of the form. The influence of Western culture has also left the younger generations impatient with the slow pacing of Beijing opera. In response, Beijing opera began to see reform starting in the 1980s. Such reforms have taken the form of creating a school of performance theory to increase performance quality, utilizing modern elements to attract new audiences, and performing new plays outside of the traditional canon. However, these reforms have been hampered by both a lack of funding and a sensitive political climate that makes the performance of new plays difficult.

In addition to more formal reform measures, Beijing opera troupes ring the 1980s also adopted more unofficial changes. Some of those seen in traditional works have been called "technique for technique's sake". This has included the use of extended high pitch sequences by female Dan, and the addition of lengthier movement sections and percussion sequences to traditional works. Such changes have generally met with disdain from Beijing opera performers, who see them as ploys to gain immediate audience appeal. Plays with repetitive sequences have also been shortened to hold audience interest. New works have naturally experienced a greater freedom to experiment. Regional, popular, and foreign techniques have been adopted, including Western style makeup and beards and new face paint designs for Jing characters. The spirit of reform continued ring the 1990s. To survive in an increasingly open market, troupes like the Shanghai Jingju Company needed to bring traditional Beijing opera to new audiences. To do this, they have offered an increasing number of free performances in public places.

There has also been a general feeling of a shift in the creative attribution of Beijing opera works. The performer has traditionally played a large role in the scripting and staging of Beijing opera works. However, perhaps following the lead of the West, Beijing opera in recent decades has shifted to a more director and playwright centered model. Performers have striven to introce innovation in their work while heeding the call for reform from this new upper level of Beijing opera procers.

4. 京剧是一种民间艺术,其历史悠久用英语怎么说

京剧是一种民间艺术,其历史悠久。
英语：
Peking Opera is a folk art with a long history.

5. "京剧起源于北京，至今已有200多年的历史了"用英语怎么写

She can learn about the Chinese history from the Peking Opera

6. 用英文简述京剧的历史

Introction of Peking (Beijing) Opera

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Peking opera of China is a national treasure with a history of 200 years. In the 55th year of the reign of Emperor Qianlong of the Qing Dynasty(1790) ,the four big Huiban opera Troupes entered the capital and combined with Kunqu opera, Yiyang opera, Hanju opera and Luantan in Beijing's thearetical circle of the time. Through a period of more than half a century of combination and integration of various kinds of opera there evolved the present Peking opera, the biggest kind of opera in China, whose richness of repertoire, great number of artists of performance and of audiences, and profound influence are incomparable in China.
Peking opera is a synthesis of stylized action, singing, dialogue and mime, acrobatic fighting and dancing to represent a story or depict different characters and their feelings of gladness, anger, sorrow, happiness, surprise, fear and sadness. In Peking opera there are four main types of roles: sheng (male) dan (young female), jing( painted face,male), and chou (clown, male or female). The characters may be loyal or treacherous, beautiful or ugly, good or bad, their images being vividly manifested.
The repertoire of Peking opera is mainly engaged in fairy tales of preceding dynasties, important historical events, emperors, ministers and generals, geniuses and great beauties, from the ancient times to Yao, Shun, Yu, the Spring and Autumn Period, the Warring States Period and the dynasties of Qin, Han, Sui, Tang, Song, Yuan, Ming, Qing.
The music of Peking opera is that of the "plate and cavity style".Its melody with harmonious rhythms is graceful and pleasing to the ears. The melody may be classified into two groups: "Xipi" and "erhong", guiding pattern, original pattern, slow pattern, quick pattern, desultary pattern being their chief patterns. The performance is accompanied by a tune played on wind instruments, percussion instruments and stringed instruments, the chief musical instruments being jinghu (a two-stringed bowed instrument with a high register), yueqin( a four-stringed plucked instrument with a full-moon-shaped sound box), Sanxian( a three-stringed plucked instrument), suona horn, flute drum, big-gong, cymbals, small-gong, etc.
The costumes in Peking opera are graceful, magnificent, elegant and brilliant, most of which are made in handicraft embroidery. As the traditional Chinese pattern are adopted, the costumes are of a high aesthetic value.
The types of facial make-ups in Peking opera are rich and various, depicting different characters and remarkable images, therefore they are highly appreciated. Moreover there are numerous fixed editions of facial make-up.
Since Mei Lanfang, the grand master of Peking opera, visited Japan in 1919, Peking opera has become more and more popular with people all over the world, and it has made an excellent contribution to cultural exchange between China and the West, to friendly association and to improvement of solidarity.
Peking Opera house of Beijing has been invited to perform in U.S.A., England, France, Germany, Italy (three times), Australia, Japan( four times), Brazil, Turkey, Singapore, South korea and Hongkong (five times). The performances have made an outstanding contribution to Sino-foreign cultural exchange and to the promotion of friendly association of peoples in the world, and were highly appreciated by foreign audiences.
In 1993 Peking Opera House of Beijing as a big Peking opera troupe made a performance visit to Taiwan, pushing the cultural exchange to a new height.
Peking Opera house of Beijing is willing to participate in activities of international cultural exchange and of commercial performances and sincerely hopes that friends in various countries will make contacts with us about cultural exchange and performances.

7. 京剧英文简介

Peking Opera, once called pingju, is one of the five major operas in China.

（京剧，曾称平剧，中国五大戏曲剧种之一。）

The scene layout pays attention to freehand brushwork, tone to xipi, erhuang mainly, with the accompaniment of huqin and gongs and drums.

（场景布置注重写意，腔调以西皮、二黄为主，用胡琴和锣鼓等伴奏。）

Regarded as the quintessence of Chinese culture, Chinese opera tops the list.

（被视为中国国粹，中国戏曲三鼎甲“榜首”。）

Peking Opera travels all over the world, with Beijing as the center and throughout China.

（京剧走遍世界各地，分布地以北京为中心，遍及中国。）

It has become an important medium to introce and spread traditional Chinese art and culture.

（成为介绍、传播中国传统艺术文化的重要媒介。）

On November 16, 2010, Beijing Opera was listed in the representative list of world intangible cultural heritage.

（在2010年11月16日，京剧被列入“世界非物质文化遗产代表作名录”。）

(7)京剧的历史用英语怎么介绍扩展阅读

京剧行当分类：

1，生

除了花脸以及丑角以外的男性正面角色的统称，分老生（又分重唱的安工老生，重做的衰派老生，重武的靠把老生）、武生（分长靠武生、短打武生并应工猴儿戏）、小生（分扇子生、雉尾生、穷生、武小生） 、红生 、娃娃生。

2，旦

女性正面角色的统称，分青衣（正旦）、花旦、闺门旦、刀马旦、武旦、彩旦。

3，净

俗称花脸，大多是扮演性格、品质或相貌上有些特异的男性人物，化妆用脸谱，音色洪亮，风格粗犷。“净”又分为以唱功为主的大花脸，分正净（重唱功，称铜锤、黑头）、架子花（重工架）、武二花、摔打花、油花（一称毛净）。

4，丑

扮演喜剧角色，因在鼻梁上抹一小块白粉，俗称小花脸。分文丑（分方巾丑、袍带丑、老丑、荣衣丑，并兼演彩旦、婆子）、武丑（又称开口跳）等。各个行当都有一套表演程式，在唱念做打的技艺上各具特色。

8. 用英语介绍中国的京剧,100个词左右

China Peking Opera is China's "national essence. Is China's biggest operas. Enrich its repertoire, the artist as much as the troupe as much audience as much deep impact are highest in the country. Peking Opera is a comprehensive performing arts gathers to sing (singing), read (read white), do (performance), fight (martial arts), dance (dance) as a whole, by means of program performance Syrian Telling Stories, carved figures, expressing "happiness, anger, sadness and joy, surprise ., fear, sadness, "the role of thoughts and feelings can be divided into: Health (men), Dan (woman), net (men), ugly (men, women Jie) line of business figures have four points Faithfulness, beauty and ugliness of it. points, good or evil. various vivid, lifelike.
记得采纳哦！
下次继续合作！

9. 求一篇介绍京剧的英文文章

Beijing opera or Peking opera (simplified Chinese: 京剧; traditional Chinese: 京剧; pinyin: Jīngjù) is a form of traditional Chinese theatre which combines music, vocal performance, mime, dance and acrobatics. It arose in the late 18th century and became fully developed and recognized by the mid-19th century.[1] The form was extremely popular in the Qing Dynasty court and has come to be regarded as one of the cultural treasures of China.[2] Major performance troupes are based in Beijing and Tianjin in the north, and Shanghai in the south.[3] The art form is also enjoyed in Taiwan, where it is known as Guoju (国剧; pinyin: Guójù). It has also spread to other countries such as the United States and Japan.[4]

Beijing opera features four main types of performers. Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Beijing opera's characteristically sparse stage. They utilize the skills of speech, song, dance, and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the proction.[5] The layers of meaning within each movement must be expressed in time with music. The music of Beijing opera can be divided into the Xipi and Erhuang styles. Melodies include arias, fixed-tune melodies, and percussion patterns.[6] The repertoire of Beijing opera includes over 1,400 works, which are based on Chinese history, folklore, and, increasingly, contemporary life.[7]

In recent years, Beijing opera has attempted numerous reforms in response to sagging audience numbers. These reforms, which include improving performance quality, adapting new performance elements, and performing new and original plays, have met with mixed success. Some Western works have been adopted as new plays, but a lack of funding and an adverse political climate have left Beijing opera's fate uncertain as the form enters the 21st century