莎士比亚作品介绍英语怎么说

A. 莎士比亚英语简介

Shakespeare (W. William Shakespeare; 1564 ~ 1616) Year April 23, 1564, born in England town of Stratford, May 3, 1616 (Julian Calendar April 23) died of illness. Renaissance distinguished British playwright and poet, a representative of the four major tragedy "Hamlet" and "Othello" and "King Lear" and "Macbeth" and comedy "The Merchant of Venice" and more than 100 first sonnet .莎士比亚（W. William Shakespeare；1564～1616）公元1564年4月23日生于英格兰斯特拉福镇，1616年5月3日（儒略历4月23日）病逝。英国文艺复兴时期杰出的戏剧家和诗人，代表作有四大悲剧《哈姆雷特》《奥赛罗》《李尔王》《麦克白》，喜剧《威尼斯商人》等和一百多首十四行诗。Shakespeare's works include: Tragedy: Romeo and Juliet, Macbeth, King Lear, Hamlet, Othello, Titus Andronicus, Qiu Li Si Kaisa, Anthony and Keliaopei flexor Rafah (Egypt-yan After), Coriolanus, Te Luoai siege in mind, Athens, such as the Thai doors. Comedy: wrong in the wrong, married, happy, Midsummer Night's Dream, Wushishengfei, a newspaper also reported, the storm, The Taming of the Shrew, Twelfth Night, Merchant of Venice, the Windsor Merry Niangmen, the futility of love, Victoria Luo that the gentleman, Peter Wales pale Keer Si, Xin Bai Lin, the story of the winter, and so on. Historical Play: Henry IV, Henry V, Henry VI, Henry VIII, King John, Richard II, Richardson III. Sonnet: the love and resentment against, Lukelisi Shizhen in mind that Venus and Adonis, the enthusiasm of the pilgrims, such as Phoenix and Banjiu.莎士比亚的作品包括：悲剧：罗密欧与朱丽叶，麦克白，李尔王，哈姆莱特，奥瑟罗，泰特斯·安特洛尼克斯，裘力斯·凯撒，安东尼与克莉奥佩屈拉（埃及艳后），科利奥兰纳斯，特洛埃围城记，雅典的泰门等。喜剧：错中错，终成眷属，皆大欢喜，仲夏夜之梦，无事生非，一报还一报，暴风雨，驯悍记，第十二夜，威尼斯商人，温莎的风流娘们，爱的徒劳，维洛那二绅士，泰尔亲王佩力克尔斯，辛白林，冬天的故事等。历史剧：亨利四世，亨利五世，亨利六世，亨利八世，约翰王，里查二世，里查三世。十四行诗：爱人的怨诉，鲁克丽丝失贞记，维纳斯和阿多尼斯，热情的朝圣者，凤凰和斑鸠等。

B. 莎士比亚全部作品的英文名称

作品

莎士比亚目前已发现的全部作品目录：（莎剧中文译名从流传最广的朱生豪译本；）

悲剧

*
o 罗密欧与朱丽叶(Romeo and Juliet)
o 马克白(Macbeth)又译：麦克白、麦克白斯、麦克佩斯
o 李尔王(King Lear)
o 哈姆雷特(Hamlet)又译：汉姆雷特、汉姆莱特、哈姆雷
o 奥赛罗(Othello)又译：奥瑟罗
o 泰特斯·安特洛尼克斯(Titus Andronicus)
o 裘力斯·凯撒(Julius Caesar)
o 安东尼与克莉奥佩屈拉(Antony and Cleopatra)
o 科利奥兰纳斯(Coriolanus)
o 特洛埃围城记(Troilus and Cressida)
o 雅典的泰门(Timon of Athens)
喜剧

*
o 错中错(The Comedy of Errors)又译：错中错喜剧、错误的喜剧
o 终成眷属(All's Well That Ends Well)又译：如愿
o 皆大欢喜(As You Like It)
o 仲夏夜之梦(A Midsummer Night's Dream)
o 无事生非(Much Ado About Nothing)又译：捕风捉影
o 一报还一报(Measure for Measure)又译：请君入瓮、量罪记、将心比心
o 暴风雨(The Tempest)
o 驯悍记(Taming of the Shrew)
o 第十二夜(Twelfth Night or What You Will)
o 威尼斯商人(The Merchant of Venice)
o 温莎的风流娘们(The Merry Wives of Windsor)
o 爱的徒劳(Love's Labour's Lost)
o 维洛那二绅士(The Two Gentlemen of Verona)又译：两贵亲
o 泰尔亲王佩力克尔斯(Pericles Prince of Tyre)
o 辛白林(Cymbeline)
o 冬天的故事(The Winter's Tale)
o 暴风雨(The Tempest)

历史剧

*
o 亨利四世，第一卷（Henry IV, part 1）
o 亨利四世，第二卷（Henry IV, part 2）
o 亨利五世（Henry V）
o 亨利六世，第一卷（Henry VI, part 1）
o 亨利六世，第二卷（Henry VI, part 2）
o 亨利六世，第三卷（Henry VI, part 3）
o 亨利八世（Henry VIII）
o 约翰王（King John）
o 里查二世（Richard II）
o 里查三世（Richard III）

诗

*
o 十四行诗（The Sonnets）
o 爱人的怨诉（A Lover's Complaint）又译：情女怨
o 鲁克丽丝失贞记（The Rape of Lucrece）又译：露克丽丝遭强暴记
o 维纳斯和阿多尼斯（Venus and Adonis）
o 热情的朝圣者（The Passionate Pilgrim）又译：激情飘泊者
o 凤凰和斑鸠（The Phoenix and the Turtle）

其它疑为莎士比亚的作品

*
o 托马斯·莫尔爵士（Sir Thomas More）
o 爱德华三世（Edward III）
o 挽歌（Funeral Elegy）

C. 莎士比亚的简介和作品或者是名言（最好是英文和汉语翻译）谢谢

莎士比亚的十四行诗很有名

Sonnet 18
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date. 4
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance, or nature's changing course, untrimm’d; 8
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow'st.
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou grow'st. 12
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.
我可能把你和夏天相比拟？
你比夏天更可爱更温和：
狂风会把五月的花苞吹落地，
夏天也嫌太短促，匆匆而过； 4
有时太阳照得太热，
常常又遮暗他的金色的脸；
美的事物总不免要凋落，
偶然的，或是自然变化而流转。 8
但是你的永恒之夏不会褪色，
你不会失去你的俊美的仪容；
死神不能夸说你在他的阴影里面走着，
如果你在这不朽的诗句里获得了永生； 12
只要人们能呼吸，眼睛能看东西，
此诗就会不朽，使你永久生存下去。

D. 莎士比亚的英语介绍~

I. Introction
Any discussion of Shakespeare's life is bound to be loaded with superlatives. In the course of a quarter century, Shakespeare wrote some thirty-eight plays. Taken indivially, several of them are among the world's finest written works; taken collectively, they establish Shakespeare as the foremost literary talent of his own Elizabethan Age and, even more impressively, as a genius whose creative achievement has never been surpassed in any age.

In light of Shakespeare's stature and the passage of nearly four centuries since his death, it is not surprising that hundreds of Shakespeare biographies have been written in all of the world's major languages. Scanning this panorama, most accounts of the Bard's life (and certainly the majority of modern studies) are contextual in the sense that they place the figure of Shakespeare against the rich tapestry of his "Age" or "Times" or "Society." This characteristic approach to Shakespeare biography is actually a matter of necessity, for without such fleshing out into historical, social, and literary settings, the skeletal character of what we know about Shakespeare from primary sources would make for slim and, ironically, boring books. As part of this embellishment process, serious scholars continue to mine for hard facts about the nature of Shakespeare's world. The interpretation of their meaning necessarily varies, often according to the particular school or ideology of the author.

Whatever the differences of opinion, valid or at least plausible views about Shakespeare, his character and his personal experience continue to be advanced. Yet even among modern Shakespeare biographies, in addition to outlandish interpretations of the available facts, there persists (and grows) a body of traditions about such matters as Shakespeare's marriage, his move to London, the circumstances of his death and the like. The result of all this is that there is now a huge tapestry of descriptive, critical, and analytical work about Shakespeare in existence, much of it reasonable, some of it outlandish, and some of it hogwash.

II. Three important points about Shakespeare
In examining Shakespeare's life, three broad points should be kept in mind from the start. First, despite the frustration of Shakespeare biographers with the absence of a primary source of information written ring (or even shortly after) his death on 23 April 1616 (his fifty-second birthday), Shakespeare's life is not obscure. In fact, we know more about Shakespeare's life, its main events and contours, than we know about most famous Elizabethans outside of the royal court itself.

Shakespeare's life is unusually well-documented: there are well over 100 references to Shakespeare and his immediate family in local parish, municipal, and commercial archives and we also have at least fifty observations about Shakespeare's plays (and through them, his life) from his contemporaries. The structure of Shakespeare's life is remarkably sound; it is the flesh of his personal experience, his motives, and the like that have no firm basis and it is, of course, this descriptive content in which we are most interested.

Second, the appeal of seeing an autobiographical basis in Shakespeare's plays and poetry must be tempered by what the bulk of the evidence has to say about him. Although there are fanciful stories about Shakespeare, many centering upon his romantic affairs, connections between them and the events or characters of his plays are flimsy, and they generally disregard our overall impression of the Bard. In his personal life, Shakespeare was, in fact, an exceedingly practical indivial, undoubtedly a jack of many useful trades, and a shrewd businessman in theatrical, commercial and real estate circles.

Third, the notion that plays ascribed to Shakespeare were actually written by others (Sir Francis Bacon, the poet Phillip Sidney among the candidates) has become even weaker over time. The current strong consensus is that while Shakespeare may have collaborated with another Elizabethan playwright in at least one instance (probably with John Fletcher on The Two Noble Kinsman), and that one or two of his plays were completed by someone else (possibly Fletcher on an original or revised version of Henry VIII), the works ascribed to Shakespeare are his.

III. Birth and Early Life
Parish records establish that William Shakespeare was baptized on 26 April, 1564. Simply counting backwards the three customary days between birth and baptism in Anglican custom, most reckon that the Bard of Avon was born on 23 April, 1564. This is, indeed, Shakespeare's official birthday in England, and, it is also the traditional birth date of St. George, the patron saint of England. The exact date and the precise cause of Shakespeare's death are unknown: one local tradition asserts that the Bard died on 23 April, 1616, of a chill caught after a night of drinking with fellow playwrights Ben Jonson and Michael Drayton. Shakespeare was, in fact, buried three days later, exactly 52 years after his baptism.

Shakespeare was born and raised in the picturesque Tudor market town of Stratford-on-Avon, a local government and commercial center within a larger rural setting, and it is likely that the surrounding woodlands of his boyhood were reflected in the play As You Like It, with its Forest of Arden. Shakespeare's mother Mary Arden was a daughter of the local gentry, holding extensive properties around Stratford-on-Avon in his name. In marrying Shakespeare's father, the glover and tenant farmer John Shakespeare, Mary Arden took a step down the social ladder of the Elizabethan Age, for her husband was of the yeoman class, a notch or two below the gentry. Yet long before his son's fame as a playwright fell to his good fortune, John Shakespeare's talents enabled him to rise modestly on his own accord as he became a burgess member of the town council. Despite evidence of a family financial setback when William was fifteen, Shakespeare's family was comfortable, if not privileged. Shakespeare's eventual fame and success spilled over to his parents in the form of both money and title, and on the eve of his death in 1601, Queen Elizabeth granted the Bard's father a "gentleman's" family coat-of-arms.

We have good cause to believe that Shakespeare attended Stratford Grammar School where he would have received a tuition-free ecation as the son of a burgess father. There young William was exposed to a standard Elizabethan curriculum strong on Greek and Latin literature (including the playwrights Plautus and Seneca, and the amorous poet Ovid), rhetoric (including that of the ancient Roman orator Cicero), and Christian ethics (including a working knowledge of the Holy Bible). These influences are pervasive in Shakespeare's works, and it is also apparent that Shakespeare cultivated a knowledge of English history through chronicles written shortly before and ring his adolescence. Shakespeare left school in 1579 at the age of fifteen, possibly as the result of a family financial problem. Shakespeare did not pursue formal ecation any further: he never attended a university and was not considered to be a truly learned man.

There is a period in Shakespeare's life of some seven years (1585 to 1592) from which we have absolutely no primary source materials about him. We do know that in November of 1582, at the age of eighteen, he married Anne Hathaway (a woman eight years his senior), and that she gave birth to a daughter, Susanna, six months later. Two years after that, the Shakespeares had twins: Hamnet and Judith. Hamnet, Shakespeare's only son, would die at the age of eleven. Speculation has it that Shakespeare was not happy in his marriage, and that this may have played a role in his decision to move to London's theater scene. In fact, ring the late 1580s and early 1590s, Shakespeare traveled back and forth between London and Stratford-on-Avon, but by this time, the momentum of Shakespeare's life was toward his career and away from family, hearth, and home. Although we lack hard facts, we may surmise that before he took up a career as a playwright, Shakespeare engaged in a variety of occupations, probably working with his father in commercial trades (leathers and grains), probably working as a law clerk, and possibly serving as a soldier or sailor for an England threatened by Spain. Shakespeare displays a command of the argot and the practices of many such crafts, as in his portrayal of the law profession in trial scenes of The Merchant of Venice.

IV. The Playwright
Between the early 1590s (The Comedy of Errors) and the second decade of the seventeenth century (The Tempest written in 1611), Shakespeare composed the most extraordinary body of works in the history of world drama. His works are often divided into periods, moving roughly from comedies to histories to tragedies and then to his final romances capped by a farewell to the stage in The Tempest. The question of how and whether the Bard's career should be divided into periods aside, we do know that Shakespeare received a major boost in 1592 (the earliest review of his work that we have), when playwright-critic Robert Greene condemned the future Bard as an impudent "upstart" beneath the notice of established literary men or University Wits. Greene's critical diatribe was soon retracted by his editor as a number of leading Elizabethan literary figures expressed their admiration for his early plays. Retreating from London in the plague years of 1592 through 1594, Shakespeare briefly left playwriting aside to compose long poems like Venus and Adonis and at least some of his sonnets. But ring this period, Shakespeare garnered the support of his first major sponsor, the Earl of Southampton. Soon, as a leading figure in the Chamberlain's Men company he would garner even greater patronage from the courts of Queen Elizabeth and her successor, King James.

Just as the rise of Shakespeare's success, popularity, and fame began to accelerate, he experienced a personal tragedy when his son Hamnet died in 1596. Shakespeare undoubtedly returned to Stratford for Hamnet's funeral and this event may have prompted him to spend more time with his wife and daughters. In 1597, Shakespeare purchased a splendid Tudor Mansion in his hometown known as the New Place. During the period between 1597 and 1611, Shakespeare apparently spent most of his time in London ring the theatrical season, but was active in Stratford as well, particularly as an investor in grain dealings. Shakespeare also purchased real estate in the countryside and in London as well, the latter including Blackfriar's Gatehouse which he bought in 1613. In 1612, four years before his death, Shakespeare went into semi-retirement at the relatively young age of forty-eight. He died on or about 23 April of 1616 of unknown causes.

William Shakespeare's family lineage came to an end two generations after his death. His two daughters followed different paths in their father's eyes. His older daughter, Susanna, married a prominent local doctor, John Hall, in 1607 and there are indications that a close friendship developed between Hall and his renowned father-in-law. Susanna gave Shakespeare his only grandchild, Elizabeth Hall in 1608. Although she inherited the family estate and was married twice (her first husband dying) Elizabeth had no children of her own. Shakespeare's other daughter, Judith married Thomas Quiney, a tavern owner and reputed rake given to pre-marital and extramarital affairs and the fathering of illegitimate children. They had three legitimate sons, all of whom died young.

V. Shakespeare's World
Most of Shakespeare's career unfolded ring the monarchy of Elizabeth I, the Great Virgin Queen from whom the historical period of the Bard's life takes its name as the Elizabethan Age. Elizabeth came to the throne under turbulent circumstances in 1558 (before Shakespeare was born) and ruled until 1603. Under her reign, not only did England prosper as a rising commercial power at the expense of Catholic Spain, Shakespeare's homeland undertook an enormous expansion into the New World and laid the foundations of what would become the British Empire. This ascendance came in the wake of the Renaissance and the Reformation, the former regaining Greek and Roman classics and stimulating an outburst of creative endeavor throughout Europe, the latter transforming England into a Protestant/Anglican state, and generating continuing religious strife, especially ring the civil wars of Elizabeth's Catholic sister, Queen Margaret or "Bloody Mary."

The Elizabethan Age, then, was an Age of Discovery, of the pursuit of scientific knowledge, and the exploration of human nature itself. The basic assumptions underpinning feudalism/Scholasticism were openly challenged with the support of Elizabeth and, equally so, by her successor on the throne, James I. There was in all this an optimism about humanity and its future and an even greater optimism about the destiny of England in the world at large. Nevertheless, the Elizabethans also recognized that the course of history is problematic, that Fortune can undo even the greatest and most promising, as Shakespeare reveals in such plays as Antony & Cleopatra. More specifically, Shakespeare and his audiences were keenly aware of the prior century's prolonged bloodshed ring the War of the Roses between the houses of Lancaster and York. Many Elizabethans, particularly the prosperous, feared the prospect of civil insurrection and the destruction of the commonwealth, whether as a result of an uprising from below or of usurpation at the top. Thus, whether or not we consider Shakespeare to have been a political conservative, his histories, tragedies and even his romances and comedies are slanted toward the restoration or maintenance of civil harmony and the status quo of legitimate rule.

E. 莎士比亚英文介绍

William Shakespeare - Born 23rd April 1564 - Died 23rd April 1616

Born at Stratford Upon Avon in the county of Warwickshire, it is likely he was ecated at Stratford Grammar School.

He probably began writing plays around 1592 and of the 38 plays that comprise the Shakespeare Canon, 36 were published in the First Folio of 1623. Shakespeare wrote for nearly 20 years and at his height he probably completed as many as 2 or even 3 plays a year. Shakespeare probably retired from writing plays in 1613.

He died in 1616 at the age of 53 and was buried in the Church of the Holy Trinity. His gravestone which is thought to be the last thing he wrote bears the inscription

F. 莎士比亚的中英文简介

莎士比亚（W. William Shakespeare；1564～1616）英国文艺复兴时期伟大的剧作家、诗人，欧洲文艺复兴时期人文主义文学的集大成者。
莎士比亚的代表作有四大悲剧：《哈姆雷特》(英：Hamlet)、《奥赛罗》（英：Othello)、《李尔王》（英：King Lear）、《麦克白》（英：Mac Beth）。著名喜剧：《仲夏夜之梦》《威尼斯商人》《第十二夜》《皆大欢喜》（《As you like it》）。历史剧：《亨利四世》《亨利五世》《查理二世》。正剧、悲喜剧：《罗密欧与朱丽叶》。还写过154首十四行诗，二首长诗。本·琼森称他为“时代的灵魂”，马克思称他和古希腊的埃斯库罗斯为“人类最伟大的戏剧天才”。虽然莎士比亚只用英文写作，但他却是世界著名作家。他的大部分作品都已被译成多种文字，其剧作也在许多国家上演。儒略历1616年4月23日（公历1616年5月3日）病逝，出生日期与逝世日期恰好相同。莎士比亚和意大利著名数学家、物理学家、天文学家和哲学家、近代实验科学的先驱者伽利略同一年出生。被人们尊称为“莎翁”。初中选文《威尼斯商人》.高中选文《哈姆莱特》《罗密欧与朱丽叶（节选）》。

The English poets, playwright Sha Shibiya was born in 1564 in England's Stella luck city. He has the strong cultural base, but has not read the university. When 18 years old marries with 26 year old females, when not reach 21 years old had three children; After 3 years went to London to become the actor, the playwright; When 30 years old starts to be lucky; When 34 years old the family is well-to-do, art obtains the success, is recognized as the playwright which rises newly. Sha Shibiya alone lives in London's 20 years, his wife lives continuously in the Stella luck. When nearly 40 years old, Sha Shibiya only then returns to the Stella luck until to die.

27 year old of that year, he wrote the historical drama "Henry Six Th" the trilogy, after the script performance has been welcome greatly the audience, and has won the very high prestige for him, let him come to a stop graally in the London theatrical circle the heel.

In 1595, Sha Shibiya has written a tragedy "Romeo And Juliet", after the script performance, Sha Shibiya famous tyrant London, the audience wells up generally like the tide to the theater looked this play, and moves has flowed off the tears.

In 1599, Sha Shibiya poured into wrote the script with all one's strength "Hamlet", also has obtained the huge success.

In later several years, Sha Shibiya has written "Austria Xylenum", "Li You King" and "Mike Is white", they and "Hamlet" is called together Sha Shibiya's four big tragedies.

In 1616, Sha Shibiya because fell ill left the world, has lived 52 years old. In these 52 years profession, he has left behind 37 scripts for the common people, as soon as curls 14 lines of poems and two narrative 长诗. His script also performs until now in world each place. In his birthday that day, has many countries to perform his script every year to commemorate him.

Sha Shibiya is on Europe Renaissance time England dramatic world's "the giant". He inherits and develops the ancient Greece Rome play and the English folk play outstanding tradition, does not give a thought to "the unity of action" and so on the rules and regulations, the breakthrough comedy and the tragedy boundary, carries on the creative from the content to the form innovation. In view of the middle ages feudalism and asceticism fetter, he respects the woman, eulogy love, molds a series of idealizations the bourgeoisie new feminine lovable image. In the historical drama and the tragedy, he engraved has delimited a series of feudal tyrant's image, heartlessly exposition and critique feudalism tyranny. He also in the play advocated the humanity by opposed the Middle Ages lively, compare with the human the deity, emphasized human great and strength, said the human is "the universe essence, the myriad things spirit is long". He also frequently exposes religious in the play the hypocrisy. The Sha Shibiya dramatic art characteristic, is the fantasy and the real ingenious union. Marx after 1848 in order to "wants to enable own English knowledge to achieve the consummation the region", once "all searched for the Sha Shibiya special style words and phrases performs to classify", carried on the study.

His grave now nearby a his hometown chapel, every year has the photograph which ten million counts to go on a pilgrimage looks at reverently generally. Is engraving such inscribed text on his tombstone:
"Looks on God's surface,
Please do not have to move my grave,
The rash action will encounter the curse,
The protector will receive the blessing."

G. 莎士比亚简介（英文版）

简介：

William Shakespeare (1564-1616), the foremost writer, prominent dramatist and poet in the European Renaissance. He created a large number of popular literary works, occupies a special position in the history of European literature, has been hailed as "Olympus Zeus in human literature." He is also known as the four great tragedies of ancient Greece, Aeschylus, Sophocles and Euripides.

威廉·莎士比亚（William Shakespeare，1564－1616年），欧洲文艺复兴时期英国最重要的作家，杰出的戏剧家和诗人。他创作了大量脍炙人口的文学作品，在欧洲文学史上占有特殊的地位，被喻为“人类文学奥林匹斯山上的宙斯”。 他亦跟古希腊三大悲剧家埃斯库罗斯（Aeschylus）、索福克里斯（Sophocles）及欧里庇得斯（Euripides），合称为戏剧史上四大悲剧家。

趣闻：莎士比亚的女儿不识字

Two of the three Shakespeare children survived, namely Susannah and Judith. Sister looks barely able to sign their name, but Judith really can only use the pen as a marker painted painting. At that time, however, literacy skills were applied to specialized areas such as trade and most of them were male and female. Shakespeare's age does not value women's level of knowledge.

莎翁夫妇的三个孩子中，两个活了下来，也就是Susannah和Judith。大姐貌似可以勉强签下自己的名字，但 Judith 真的只能拿笔做做标记涂涂画画了。但在那个时期，读写能力是项运用于特定贸易等专业领域的技术，大多数传男不传女。莎士比亚的年代并不重视女性的知识水平。

作品梗概：《哈姆雷特》

Danish prince Hamlet suddenly took his father's death message while attending the University of Wuedenburg in Germany. After returning to his motherland, he encountered successively the succession of his uncle Claudius and the series of incidents that his uncle and mother, Jottulud, got rushed to marry one month after their father's funeral. This makes Hamlet full of doubts and dissatisfaction. Immediately after Horatio and Bonnetton stood there, the ghost of his father Hamlet was revealed, stating that he had been poisoned by Claudius and asked Hamlet to avenge himself. Subsequently, Hamlet use crazy to cover themselves and through the "play in the game" confirmed his uncle is indeed killing the enemy. Claudius tried to get rid of Hamlet by the King by mistakenly killing the beloved Ophelia's father, Polonnes, but Hamlet escaped to Denmark but learned that Ophelia committed suicide and had to accept it Duel with his brother Leo Tertis. Hamlet's mother, Jottulud, cked in for poisoning Claudius for poisoned alcohol prepared by Hamlet, and both Hamlet and Leometis were among the poisoned swords, knowing that the poisoned Hamlet was killed before his death Claudius dies and exhorts a friend Horatio to tell his story later.

丹麦王子哈姆雷特在德国威登堡大学就读时突然接到父亲的死讯，回国奔丧时接连遇到了叔父克劳狄斯即位和叔父与母亲乔特鲁德在父亲葬礼后一个月匆忙结婚的一连串事变，这使哈姆雷特充满了疑惑和不满。紧接着，在霍拉旭和勃那多站岗时出现了父亲老哈姆雷特的鬼魂，说明自己是被克劳狄斯毒死并要求哈姆雷特为自己复仇。随后，哈姆雷特利用装疯掩护自己并通过"戏中戏"证实了自己的叔父的确是杀父仇人。由于错误地杀死了心爱的奥菲莉亚的父亲波罗涅斯，克劳狄斯试图借英王手除掉哈姆雷特，但哈姆雷特趁机逃回丹麦，却得知奥菲莉亚自杀并不得不接受了与其兄雷欧提斯的决斗。决斗中哈姆雷特的母亲乔特鲁德因误喝克劳狄斯为哈姆雷特准备的毒酒而中毒死去，哈姆雷特和雷欧提斯也双双中了毒剑，得知中毒原委的哈姆雷特在临死前杀死了克劳狄斯并嘱托朋友霍拉旭将自己的故事告诉后来人。

H. 莎士比亚英文介绍，简短

William Shakespeare (1564-1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright.
翻译：
威廉莎士比亚（1564-1616）是一位英国诗人， 剧作家，被广泛认为是最伟大的作家 ，英语语言和世界的卓越剧作家。他通常被称为英国的''民族诗人"和“雅芳巴德”。他幸存的工程，包括
一些合作项目，包括约38次，154十四行诗，两个长篇叙事诗，和其他几个诗。他的剧本已被翻译成所有主要活的语言进行，并且往往比那些任何其他的剧作家的作品更常见。
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I. 谁知道莎士比亚作品英文简介

《哈姆雷特》 Hamlet is referred to as Hamlet, also known as the prince's revenge, William Shakespeare's famous tragedies, is Shakespeare 's most famous plays, in" Hamlet", revenge story of love hate feeling sorrow..
《奥赛罗》Othello" is to the end of the fifteenth Century Cyprus island as the stage. The protagonist Otero is a black moor, as the Venice army commander. He was listening to his words, killing the beautiful chaste wife Daisy de Mona. To understand the truth of the matter after the intersection, remorse, finally from the knife, follow wife in spring of.