影评英语阅读
Ⅰ 爵迹英语影评谢谢
《爵迹1》，《爵迹2》《爵迹：燃魂书》已发至你邮箱，请进邮箱下载附件，真诚回的祝您阅读愉快，未收到答请检查垃圾箱~
发件人红楼一梦—碧落韶华怨丶，来自中文团队【红楼一梦】~
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Ⅱ 什么是英语影评（英语）和读书笔记（语文）
英语影复评？你老师好制NB就是让你们看电影然后用英语写下你对这部电影的观感。。影评是专业电影人对电影的分析从不同的角度对影片进行深度的剖析。。你们学生怎么写？只能简单的概述一下影片的内容即讲述的什么事。就ok在加上你对这部电影的喜好程度就行了。读书笔记就是你看的书看完后的读后感。这暑假作业可真不错。要你看电影的同时学习英语。多看看书增强课外的常识。我觉得你最好是自己认真的去实践一下。就当是写着玩。如果你真的懒得去写那就上网络上搜搜影片英语的影评。用自己的感情写出来的东西是最真实。即便是不会写很华丽的辞藻但最起码不做作质朴就哦了。加油。相信你会写出来的。楼上的影评太大众了。直接搜的不好。一看水平老师就知道了。高中生可以这么摘抄加点自己的东西。初中生就最好自己练练。楼主既然有心网络上求这。就说明你重视。加油
Ⅲ 求电影《朗读者》的英文影评~~~~~~~~~~~~~~
电影简介
http://www.allmovie.com/work/the-reader-413688
影评，影片故事背景
http://www.rottentomatoes.com/m/reader/
http://www.startribune.com/entertainment/movies/36686529.html
凯特温丝莱特简介
http://www.rottentomatoes.com/celebrity/kate_winslet/biography.php
Ⅳ 求一篇英文读书笔记，两篇英文电影影评
《简·爱》 英文读后感
Jane Eyre — A Beautiful Soul
Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:
We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.
We remember her pursuit of justice. It’s like a companion with the goodness. But still, a virtuous person should promote the goodness on one side and must check the badness on the other side.
We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God’s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality.
We also remember her striving for life, her toughness and her confidence…
When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.
Actually, she wasn’t pretty, and of course, the ordinary appearance didn’t make others feel good of her, even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease, so when Miss Ingram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than ‘the plain and ugly governess’. But as the little governess had said: ‘Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!’ This is the idea of equality in Jane Eyre’s mind. God hadn’t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impress us so much and let us feel the power inside her body.
In my mind, though a person’s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn’t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it’s not true, they will like the person no more. For a long time, only a person’s GREat virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that ‘Beauty is a heart enflamed and a soul enchanted’. I can feel that how beauty really is, as we are all fleshly men, so we can’t distinguish whether a man is of nobleness or humbleness, but fleshly men, so we can’t distinguish whether a man is of nobleness or humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.
Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.
《终结者》The Terminator英文影评
The Terminator is a blazing, cinematic comic book, full of virtuoso moviemaking, terrific momentum, solid performances and a compelling story.
The clever script, cowritten by director James Cameron and procer Gale Anne Hurd, opens in a post-holocaust nightmare, A.D.2029, where brainy machines have crushed most of the human populace. From that point, Arnold Schwarzenegger as the cyborg Terminator is sent back to the present to assassinate a young woman named Sarah Connor (Linda Hamilton) who is, in the context of a soon-to-be-born son and the nuclear war to come, the mother of mankind's salvation.
A human survivor in that black future (Michael Biehn), also drops into 1984 to stop the Terminator and save the woman and the future.
The shotgun-wielding Schwarzenegger is perfectly cast in a machine-like portrayal that requires only a few lines of dialog.
《篱笆墙外》Over the Hedge英文影评
"Over the Hedge" is one of the few comic strips in which you will find debates about the Theory of Relativity, population control and global warming. None of those issues are much discussed in the new animated feature inspired by the strip, but there is a great deal about suburban sprawl, junk food and the popularity of the SUV .
The movie opens with the coming of spring and the emergence from hibernation of many forest animals, including some that do not actually hibernate, but never mind. Vincent the bear awakens to find that his entire stash of stolen food has been -- stolen! He apprehends the master thief RJ the raccoon and gives him a deadline to return the food, or else. RJ cleverly mobilizes the entire population of the forest to help him in this task (ring which he does not quite explain the bear and the deadline). And together they confront an amazing development: During the winter, half of their forest has been replaced by a suburb, and they are separated from it by a gigantic hedge.
That's the setup for a feature cartoon that is not at the level of "Finding Nemo" or "Shrek," but is a lot of fun, awfully nice to look at, and filled with energy and smiles. It's not a movie alts would probably want to attend on their own, but those taking the kids are likely to be amused, and the kids, I think, will like it just fine.
Once again we get an animal population where all the species work together instead of eating each other, and there is even the possibility of interspecies sex, when a human's house cat falls in love with Stella the skunk. There is also the usual speciesism; mammals and reptiles are first-class citizens, but when a dragonfly gets fried by an insect zapper, not a tear is shed.
These animals once ate leaves and roots and things, but all that has changed since Hammy the squirrel discovered nacho chips. The animals find these so delicious, they are the forest equivalent of manna, and RJ, who usurps leadership of the bunch from Verne the turtle, is happy to lead them to the promised land of nachos and other junk foods, in the garbage cans and kitchens of humans.
Like all humans who like to live with a view of beautiful forests, the humans in "Over the Hedge" are personally offended that they are occupied by animals. Gladys (Allison Janney), the head of the homeowners' association, is personally affronted that RJ and his cronies might violate her garbage can, and brings in Dwayne (Thomas Haden Church), a pest control expert known ominously as The Verminator. "I want them exterminated as inhumanely as possible," she tells him. She's all heart.
The encroachment of the forest animals and the efforts of the Verminator in "Over the Hedge" don't approach the wit and genius of a similar situation in the Academy Award-winning "Wallace & Gromit: The Curse of the Were-Rabbit" (2005), but then how could they? This movie is pitched at a different level. But the action scenes are fun, the characters are well-drawn and voiced, and I thought the film's visual look was sort of lovely. If the animals lack the lofty thinking of their originals on the comics page, they are nevertheless a notch or two above the I.Q. levels of many an animated creature.
They have to be. It's a hard life for a forager these days, when you're caught between an angry bear on one side of the hedge and a street hockey game on the other.
不知合不合你意愿，希望可以吧。英语学习一定要加油哦，Good Luck！！！
"上面的那个 简爱 读后感 就是中学生水平的 啊”
Ⅳ 猩球崛起的英语影评
背景资料：《猩球崛起》是经典系列科幻电影《人猿星球》的前传，它讲述了由于人类自负导致了猿猴智力的发展，猿族与人类之间爆发战争，以及地球上的人类是如何在各种自私自利下，一步一步的走向灭亡。《阿凡达》的特效团队为本片制造出了上百个逼真的猩猩，加上先进的日观等下动作捕捉技术，视觉效果绝对令你震撼。
Among the trillions of binary digits skittering across screens this summer, a vibrant minority have been gathered into a shrewd, coherent, and fully felt movie. I’m speaking of the expertly crafted “Rise of the Planet of the Apes,” by far the best spectacle movie of the season, and one of the few films to use digital technology for nuanced dramatic effect.
今夏，由数以万亿计的二进制数字信号组成的电视节目充斥着荧屏，其中，一小撮活跃的信号组成了一部精致巧妙，情节连贯，让人感同身受的电影。我讲的就是制作优良的《人猿星球的兴起》——本季度目前为止最好看的奇观电影，它也是为数不多的应用数码技术达到细致入微戏剧性效果的电影之一。
“Planet,” of course, draws on the old species-reversal conceit worked out by Pierre Boulle in his 1963 novel, “La Planète des Singes,”a book that launched a cluster of movies and television shows, most notably Franklin J. Schaffner’s “Planet of the Apes” (1968). In that mock epic, the manacled, nearly naked Charlton Heston is rated an interesting specimen by a variety of simian overlords.
如你所想，“星球”一词是援引于Pierre Boulle 在1963年写的小说《人猿星球》，它讲述了由于人类自负导致物种的逆向进化。这本小说被改编成一系列的电影和电视节目，其中最著名 的是Franklin J. Schaffner于1968年执导的《人猿星球》。电影中，Charlton Heston 被种类繁多、济济为患的猿猴们俘虏，他戴着脚镣，近乎赤裸，并被看作是一个有趣的外物种标本。
The new movie draws not only on Boulle’s outrageous idea but on some of the most enringly suggestive fables we know. It begins as a benevolent version of the Frankenstein story. Will (James Franco, trying harder than usual)， a young genetic engineer working for a San Francisco biotech company, creates a serum that reverses brain damage. (He wants to treat his father, Charles—played movingly by John Lithgow—who has Alzheimer’s。) The company tests the serum on apes, one of which goes mad and has to be destroyed. But Will takes home the ape’s baby, Caesar, who has inherited his mom’s supercharged gray matter, and he and Charles raise him as a pet.
而今年的新作不仅传承了Boulle 奇异骇人的思路，也融入了我们熟悉的，最久为流传、引人联想的传奇故事。电影以一个和谐的弗兰肯斯坦式的场景开始。Will (James Franco饰演，这次他表演得更卖力)，是一位年轻的基因工程师，在旧金山的一家生物科技公司工作。他发明了一种可以逆转人脑损伤的血清。(他的父亲Chales，由John Lithgow 精彩饰演，患有阿尔茨海默氏病，Will想治愈父亲的病)。公司用这种血清在猿猴身上做实验，而其中的一只疯掉了，必须处死。好心的Will 将它的孩子Caesar带回了家，和父亲Chales一起把他当成宠物养了起来。
Caesar swings through the house, leaping up and down stairs and throwing himself in and out of the attic, but he sits quietly at the dinner table, too. He listens, he grunts, he eats, he makes signs. He’s a darling little ape.But there’s a joke buried in our wonderment: we all anthropomorphize our pets, finding spirit, even conscience, in beautiful collies, in cool, blue-eyed Siamese cats, in potbellied pigs. Out of affection, we see what we want to see of ourselves.But Caesar really is like us, in many ways.
Caesar继承了他母亲的强健的运动体质，活动能力很强。他在屋里乱窜，在楼梯上跳上跳下，在阁楼里蹦进蹦出，但在餐桌边还是会安静的坐着。他听人讲话，发出叫声，吃喝东西，还会做肢体语言，是一只可爱的小猿猴。在我们惊叹于它的灵活的背后却有些讽刺：我们都将宠物拟人化——我们在漂亮的牧羊犬，蓝眼睛的暹罗猫，胖肚皮的小猪身上寻找某种精神，甚至是良心，而不是在人群中感受到这些。出于喜爱，我们从他们身上看到了一些在人类社会中想看到的东西。但是，Caesar 确实在很多方面与我们很像。
He plays and chatters like a chimp, but, like a child, he needs protection and reassurance, and then—a fellow-primate to the rescue—he rushes to the defense of Charles, his ailing “grandfather,” when he’s attacked by a neighbor. An empathic ape! The screenwriters, Rick Jaffa and Amanda Silver, and the director, Rupert Wyatt, create many small gestures, glances, and pauses that anchor the improbable turns of the story.At one point, Charles, confused, holds a fork by the wrong end, and Caesar slowly, gently takes it out of his hand and turns it around. The scene is ineffably, absurdly touching, the sweetest expression of family love seen in recent films.Pierre Boulle’s novel was sardonic, even maliciously satirical—science fiction with a tickle. But “Rise of the Planet of the Apes” discovers a new emotion: what you’d have to call interspecies pathos.
他像黑猩猩一样地玩耍、喃喃自语，又像小孩子一样需要保护和安慰，他还是一个能提供援助的灵长类同胞——在他生病的“祖父”Chales受到邻居攻击的时候，他迅速冲出来保护Chales。真是一只富有感情的猿猴！电影编剧Rick Jaffa 和Amanda Silver,以及导演Rupert Wyatt为人物设计了许多细微的言行、眼神以及停顿来锁定故事的进展(虽在真实生活中不太可能发生)。一天，Chales犯病了，他拿起叉子吃饭却将叉尖朝着自己。这时Caesar 慢慢地轻轻地地将叉子从他手里拿过来，反过头去，再放回他手心。这个场景是无法言喻的感人至深，它对家庭之爱的表达是最近所有电影中最贴心的。Pierre Boulle 的原著有些嘲讽，甚至是恶意的讽刺，有一点科幻小说的味道。而《人猿星球的兴起》则揭示了一种新的感情：物种间的同情爱怜。
Andy Serkis, who was the emaciated, depraved, ground-hugging Gollum in the “Lord of the Rings” trilogy, plays Caesar—that is, he lends his body and face, covered with reflective markers, to image-makers who then, employing the techniques of motion capture, create a digitized simulacrum of an ape, but an ape that has unrivalled flexibility and expressiveness. The filmmakers have pulled off a stunning paradox: Caesar is much more human than an entirely digitized creation, and much more apish than an actual ape—faster, stronger, more exuberant in his knuckle-dragging, chin-thrusting, lunging glory. Caesar becomes an adolescent; hormones kick in, and he turns violent, doing bongo numbers on his enemies with his fists. At last, digital fantasy means something: we are not watching a ll-brained superhero banging off walls like a fly in a bottle; we are watching an animal with suddenly enhanced powers who still behaves recognizably like an animal. But a juiced-up ape can become something more than fun for us—he can shock us with his power, even inspire terror.There’s a premonition early in the film: when a leashed German shepherd barks at Caesar, he roars back at the dog, and then, climbing into Will’s car, surly and sad, he signs with his hands that he feels like a pet—it’s a complaint, a question, and a challenge.
Andy Serkis，就是《指环王》三部曲中那个消瘦憔悴、腐化堕落、生活在社会底层的Gollum,在本剧中扮演Caesar。形象设计师用具有猿猴特征的行头从头到脚装扮Andy,然后采用动作捕捉技术制作出一电子模拟猿猴，这只猿猴行动非常灵活，亦善于表达。电影制作人成功设计出了Caeser这个引人入胜的矛盾形象：与纯粹的电子制作物相比，他更富人性；而与真实的猿猴相比，他更富物种特性——指关节拖动力与咀嚼能力更强大，而且精力充沛，进攻性强。很快，Caesar 长成了青少年，由于体内激素的作用，他变得暴力起来，拳头像敲小鼓似的打在敌人身上。这些奇妙的数字化影像最终是想揭示一些道理：我们不是在观看一个木脑袋的超级英雄像没头苍蝇一样在瓶子里乱撞，而是一只忽然获得巨大力量的猿猴，却仍表现的像个动物。一只给电影倍添精彩的猿猴可不仅仅是个笑料，想想看：他力大无比，足以震慑我们，甚至能够挑起暴动。其实，在电影开头就由一个不太好的预兆：当一支被拴着的德国牧羊犬朝Caesar狂吠的时候，Caesar反咬回去，然后上了Will的车。他粗鲁打着手势，对自己是宠物的身份很不满意——这是抱怨，是疑惑，也是挑战。
A second fable moves into place. The violent Caesar gets sent to an ape compound, where he’s forced through steel mazes, prodded, and stun-gunned. The imprisonment is unbearable: he experiences the humiliation that a mere mb animal would never feel.Gorillas, orangutans, and other chimps live with him in the compound, and Caesar quickly becomes a leader of apes. For a while, the movie turns into the latest version of “Escape from Alcatraz,” reaching its climax in a single syllable, a roaring “No!”—Caesar’s first word, a refusal that caused the audience when I saw the movie to go ape.
接下来，第二则传奇故事出现了。暴力的Caesar被送到一个猿猴基地。这个基地内部被钢架隔开，结构错综复杂，他在这里受到体罚，甚至会被枪杆打晕。被囚禁的滋味是难以忍受的：他在这里经受着羞辱，一种哑巴牲口永远感觉不到的羞辱。非洲大猩猩、褐猿，还有其他的黑猩猩和他住在一起，很快，Caesar成了他们的首领。接下来，镜头转到最新一版《逃离恶魔岛》的画面，Caesar的一声怒吼“No!”——他的第一句话——将电影推向高潮，这一声拒绝也让观众们吃惊地张大了嘴：“NO！”。
Ⅵ 求《朗读者The Reader》的英文书评或影评
This poignant film took a devastating look at Germany post WWII. Having lived in, and being born in Germany, before the fall of the wall, I have witnessed the sense of guilt that does not easily leave a nation. Even young Germans today do not identify with the Germany of the past.
Kate Winslet's intricate and provocative performance was incredible. She embodied Hanna Schmitz in every emotion and detail. I definitely see David Kross' career blossoming as well, as a direct result of this film.
Many people argued at the Berlin FilmFest last month that this film was all about the Holocaust, but directly, it is not. It is about guilt, illiteracy, love, loss, family, and questioning everything we know. Nevertheless, the aftermath the Shoah is shown on screen in the highest of sensitivity. I really defend the high amount of Holocaust films being made; that period in history; WWII is fascinating and devastating and every story must be told.
The Reader is undeniably the top film of 2008 and worth every accolade it receives.
Ⅶ 观看两部英文电影或阅读两本英文小说,写100字左右观后感或读后感。
Pride and Prejudice,one of Jane Austen’s greatest works,was published in 1813.It talks about trivial matters of love,marriage and family life between country squires and fair ladies in Britain in the 18th century.The novel that attracts reader most is the wonderful vivid presentation of characters,especially through their witty and bright conversations.In Pride and Prejudice,people with different characters have different attitudes to love which leads to their various marriages.The three couples,varied in their characters,presented us with three different distinct marriages.
我的论文的一部分哈,贡献给你了.
是英语原声电影观后感,傲慢与偏见
Ⅷ 读书观后感英文作文
A Review of Robinson Crusoe--《鲁宾逊漂流记》读后感
This is a novel by the English author Daniel Defoe, published in 1719. It is one of the most popular adventure novels in all literature. It is the story of Bobinson Crusoe, an Englishman who is shipwrecked in a lonely tropical island. He builds himself a hut, grows his own food, and becomes self-sufficient. After 23 years he meets with a group of cannibals and rescues one of their prisoners, a young native whome he calls Friday.Crusoe and his“man”Friday become close friends, and when they are finally rescued four years later, both return to England.
Robinson Crusoe was partly based on the actual deeds of Alexander Selkirk, an 18th-century Scottish sailor who spent almost five years alone on a desert island. This novel is famous for its lovely details and its expression of belief in man's ability when left alone in nature.
Ⅸ 求写一篇英语读物的评论。。。。要英文写的。。。。。
1.Title: The Little Prince
2.Author: Antoine de St-Exupery
3.The page number:103
4.Main Keys: The little prince, the pilot, the rose, the fox, the snake, etc.
5.Outline : “I”, the narrator of the story, is a pilot whose plane has something wrong and lands in the Sahara. In this occasion, the pilot makes the acquaintance of the little prince, a little boy from another planet, the Asteroid B612. The little prince has escaped from his tiny planet, because he has some quarrel with a rose, which grows on his planet. In that case he left his own planet and took an exploration at some neighbor asteroids.
On his all-alone journey, the little prince meets different kinds of people, which includes a king, a conceited man, a tippler, a businessman, a lamplighter and a geographer. From these people he gets a conclusion that the grown-ups are very odd. Following the instruction of the geographer, he descends in the Sahara, on the earth.
Traveling on the earth, the little prince, who sees a garden of five-thousand roses, is overcome with astonishment and sadness, as he considers his rose is unique in the universe before. At that time a fox appears. The fox, who tell the little prince about the meaning of the word “tame”, becomes his new friend. At the time to say farewell, the fox makes him know that his rose is unique because she is his rose and tamed by him. From that the little prince begins to treasure friendship and be responsible to his rose.
At the anniversary day of his descent of the earth, rejecting the pilot’ advice, he goes back to his own planet by bite of a snake. “It’s too far. I can not carry this body with me. It’s too heavy.” he said. He tells his friend, the pilot, he must be responsible for his rose, so he has to go back.
6.Comment :
Despite I’ve not in my childhood yet, I still prefer reading fairy-tale stories. The tales, which accompany with me in my old days, often make me think of some precious experience and sensation which only belong to children. This summer I’ve review this kind of tale, which was published in 1940. It’s the world-famous fairy-tale by the French author, Antoine de St-Exupery, The Little Prince.
At the end of this story, the author doesn’t tell us the ending directly. Maybe it’s more significant for us to imagine, and for more, think over.
One of the important characters is the rose. Growing on the planet, she is very beautiful, but her coquetry and vanity suffer the little prince a lot. In spite of they love each other, he soon becomes unhappy. On the time of his departure, he just knows she certainly loves him. The character of the little prince actually represents the children, and their native thoughts and deeds. On the contrary, the inhabitants on the other planets, such as the king, the businessman and the conceited man, they also reflect the defects in the grown-up’s world. The real theme of this fairy-tale with a little sadness, I guess, is the consequence of pure love and friendship in our lives, but not others “matters of consequence” of the grown-ups.Unbelievable, this little book moved me a lot. I seldom think about the true meaning of love and life before. Well, now I can say, with my short sixteen-year’s life experience, it’s like the stars in the sky that lit my heart. The little prince is not only an ordinary fairy-tale for children, but also for grown-ups, and our teenagers. Nevertheless, when I read this book, I feel a little sad – about ourselves, whom are losing more and more innocence
Ⅹ 蝴蝶梦英文影评
Rebecca (1940) is the classic Hitchcock gothic thriller and a compelling mystery (and haunting ghost story) about a tortured romance. An expensively-proced film by David O. Selznick (following his recent success with Gone With The Wind (1939)), it was Hitchcock's first American/Hollywood film, although it retained distinctly British characteristics from his earlier murder mysteries. The somber film's screenplay (by Robert E. Sherwood and Joan Harrison) was based on a literal translation of Daphne Maurier's 1938 gothic novel of the same name, in the tradition of Charlotte Bronte's Jane Eyre. One of the film's posters asks the intriguing question: "What was the secret of Manderley?"
The film creates a brooding atmosphere surrounding the tragic courtship, marriage and relationship of a naive, plain and innocent young woman (Joan Fontaine) to a brooding and overburdened widower - an aristocratic, moody patriarch (Laurence Olivier) who lives in an estate named Manderley. The pathetic, bewildered and shy bride experiences fear, pain and guilt when psychologically dominated by the 'presence' (and memories) of the deceased first wife (named Rebecca but never seen on screen), and when she is tormented by Rebecca's blindly adoring, sinister and loyal housekeeper's (Anderson) recollections of the dead woman. Only by film's end, with the flaming destruction of the estate, do the real character and secrets of Rebecca's death become clear. Many well-known actresses tested for the part of the young woman - Loretta Young, Margaret Sullavan, Anne Baxter and Vivien Leigh (her role in Gone With the Wind (1939) made her participation impossible), and Ronald Colman was also considered for the male lead role.
This black and white film received eleven Academy Award nominations - and won for the nominated director his first and only Best Picture Oscar, beating out strong competition in 1940 from The Grapes of Wrath, The Great Dictator, The Philadelphia Story, and Hitchcock's own Foreign Correspondent. With his Best Picture win, Selznick became the first procer to win consecutive Best Picture Oscars. The film also won an Academy Award for Cinematography (George Barnes), and was nominated in nine other categories, including Best Actor (Olivier), Best Actress (Fontaine), Best Supporting Actress (Judith Anderson with her sole career nomination), Best Director (Hitchcock's first nomination in this category), Best Screenplay, Best B/W Interior Decoration, Best Original Score (Franz Waxman), Best Film Editing, and Best Special Effects.