考研英语一2010阅读text2
① 2010年考研英语TEXT1,我已想起了四题的内容,跟大家分享!
21. It is indicated in Paragraphs 1 and 2 that
A arts criticism has disappeared from big-city newspapers.
B English-language newspapers used to carry more arts reviews.
C high-quality newspapers retain a large body of readers.
D young readers doubt the suitability of criticism on dailies.
22. Newspaper reviews in England before World War 2 were characterized by
A free themes.
B casual style.
C elaborate layout.
D radical viewpoints.
23. Which of the following would shaw and Newman most probably agree on?
A It is writers' ty to fulfill journalistic goals.
B It is contemptible for writers to be journalists.
C Writers are likely to be tempted into journalism.
D Not all writers are capable of journalistic writing.
24. What can be learned about Cars according to the last two paragraphs?
A His music criticism may not appeal to readers today.
B His reputation as a music critic has long been in dispute.
C His style caters largely to modern specialists.
D His writings fail to follow the amateur tradition.
25. What would be the best title for the text?
A Newspapers of the Good Old Days
B The Lost Horizon in Newspapers
C Mournful Decline of Journalism
D Prominent Critics in Memory
② 谁知道2010考研英语真题第一篇阅读
Text 1
Of all the changes that have taken place in English-language newspapers ring the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.(T1)
It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most bit-city newspapers. Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews. To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies.
We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War 2,at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared. In those far-off days, it was taken for granted that the critics of major papers would write in detail and at length about the events they covered. Theirs was a serious business. and even those reviews who wore their learning lightly, like George Bernard Shaw and Ernest Newman, could be trusted to know what they were a out. These men believed in journalism as a calling , and were proud to be published in the daily press. 'So few authors have brains enough or literary gift enough to keep their own end up in journalism,' Newman wrote, "that I am tempted to define "journalism" as "a term of contempt applied by writers who are not read to writers who are".'
Unfortunately, these critics are virtually forgotten. Neville Cars, who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975, is now known solely as a writer of essays on the game of cricket. During his lifetime, though, he was also one of England's foremost classical-music critics, and a stylist so widely admired that his Autobiography (1947) became a best-seller. He was knighted in 1967,the first music critic to be so honored. Yet only one of his books is now in print, and his vast body of writings on music is unknown save to specialists.
Is there any chance that Cars's criticism will enjoy a revival? The prospect seems remote. Journalistic tastes had changed long before his death, and postmodern readers have little use for the richly uphostered Vicwardian prose in which he specialized. Moreover, the amateur tradition in music criticism has been in headlong retreat.
21. It is indicated in Paragraphs 1 and 2 that
A arts criticism has disappeared from big-city newspapers.
B English-language newspapers used to carry more arts reviews.
C high-quality newspapers retain a large body of readers.
D young readers doubt the suitability of criticism on dailies.
22. Newspaper reviews in England before World War 2 were characterized by
A free themes.
B casual style.
C elaborate layout.
D radical viewpoints.
23. Which of the following would shaw and Newman most probably agree on?
A It is writers' ty to fulfill journalistic goals.
B It is contemptible for writers to be journalists.
C Writers are likely to be tempted into journalism.
D Not all writers are capable of journalistic writing.
24. What can be learned about Cars according to the last two paragraphs?
A His music criticism may not appeal to readers today.
B His reputation as a music critic has long been in dispute.
C His style caters largely to modern specialists.
D His writings fail to follow the amateur tradition.
25. What would be the best title for the text?
A Newspapers of the Good Old Days
B The Lost Horizon in Newspapers
C Mournful Decline of Journalism
D Prominent Critics in Memory
③ 为什么考研英语一2010年text4的37题
2010年考研英语阅读真题(一) Text 4——刷题思路
花开两朵,各表一枝。这种题型不常考,一次是2006年text2,一次是2010年text4;
2006年text2:
一、斯特拉特福德镇的莎士比亚产业有两个对立分支
分支一:皇家莎士比亚剧团
分支二:镇上的居民
二、对立原因一
三、对立原因二
四、文章特征
文章围绕这两个方面展开论述
五、文章主旨
考两者之间的关系:
a.对立
b.相似
c.因果
3.出题特征
主要出作者态度题(在对立关系时同情in trouble者)、主旨题考两者之间的关系
(2006 text2)30. From the text we can conclude that the author [ ]
A.is supportive of both sides
B. favors the townsfolk's view
C. takes a detached attitude
D. is sympathetic to the RSC
Detach ( de=not;tach=nail) v.(使)分开,脱离;
从本文我们可得出的结论是作者
A.对双方都予以支持
B.支持小镇居民的看法
C.持不偏不倚的态度
D.同情皇家莎士比亚剧团
主要出作者态度题(在对立关系时同情有麻烦的),答案是:D.同情皇家莎士比亚剧团
本文主题涉及“银行VS会计准则制定者”两方的对抗。
第一段提到银行家们将矛头对准了会计准则制定者。
第二段作者强调了准则制定者独立性的关键意义,暗示了对银行做法的不认同,后又以准则制定者FASB和准则制定者IASB为例分别指出准则制定者面对来自银行以及政府的巨大压力。第五、六段直接指出银行方的错误,表达出对有麻烦方的同情态度。
40. The author’s attitude towards standard-setters is one of
[A] satisfaction.
[B] skepticism.(怀疑态度)
[C] objectiveness.(客观的,谁也不得罪)
[D] sympathy.(对有麻烦的)
sympathy[ˈsɪmpəθi] n.意气相投,同感; 同情(sym=syn=together;p
④ 2010年考研英语二真题全文翻译答案超详解析
2022扫描书籍PDF讲义
链接: https://pan..com/s/1c-yN-jPXjz7n8WM3MkUvJw
若资源有问题欢迎追问~
⑤ 考研英语2010真题第一篇阅读里的一句,求翻译.
原因:save to是个固定搭配的介词短语,是除了的意思。按字面解释,save表示仅限于的含义,和to连用,整个短语算是介词成分。
一、his
1、含义:adj. 他的。pron. 他的。
2、用法:
直接源自古英语的he,意为他的。
He claims it was his idea.
他声称这是他的主意。
二、print
1、含义:v. 印刷;出版;打印;铭刻。n. 印刷字体;版画;印刷;印记;印刷物;印花。adj. 印刷的。
2、用法:
print的基本意思可指印刷品,即印成的“图画,图案,版画等”或由底片印出的“照片”,是可数名词。
print也可表示“印刷字体”,是不可数名词。
How many copies shall we print from the negative?
用这张底片我们要印多少张相片?
三、body
1、含义:n. 身体;主体;正文;主要部分;尸体;躯体;团体。v. 赋…以形体。
2、用法:
body的基本意思是“身体”“躯体”“躯干部”,强调的是人相对于soul, mind, spirit的躯体,而不是人或健康状况,是可数名词。
body表示“躯体”除用于人或动物外,还可用于车身、船身、机身、正文、主体等。
Alcoholic drink can have a bad effect on your body.
含酒精的饮料会对你身体有很坏的影响。
四、music
1、含义:n. 音乐;美妙的声音;乐谱。
2、用法:
music是抽象名词,不可数,可作“音乐,乐曲”解。泛指“音乐”时不与冠词连用,特指“乐曲”时或music前有形容词最高级修饰时,可与定冠词、物主代词、指示代词等连用。“一首乐曲”是a piece of music,“几首乐曲”是several pieces of music。
He is interested in music.
他对音乐有兴趣。
五、save
1、含义:v. 救;节省;保存。n. 救援,救助。
2、用法:
save的基本意思是采取措施把人或动物从险境中解救出来或使其“脱离危险,免受损失”,可指从危险、灾难、困难、错误中救起某人或拯救某人的性命,也可指人储存金钱、食物、节省时间(以备自救)等,有时还可指人“保全面子、名声”等。
Children should learn to save.
孩子们应学会储蓄。