影評英語閱讀
Ⅰ 爵跡英語影評謝謝
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發件人紅樓一夢—碧落韶華怨丶，來自中文團隊【紅樓一夢】~
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Ⅱ 什麼是英語影評（英語）和讀書筆記（語文）
英語影復評？你老師好制NB就是讓你們看電影然後用英語寫下你對這部電影的觀感。。影評是專業電影人對電影的分析從不同的角度對影片進行深度的剖析。。你們學生怎麼寫？只能簡單的概述一下影片的內容即講述的什麼事。就ok在加上你對這部電影的喜好程度就行了。讀書筆記就是你看的書看完後的讀後感。這暑假作業可真不錯。要你看電影的同時學習英語。多看看書增強課外的常識。我覺得你最好是自己認真的去實踐一下。就當是寫著玩。如果你真的懶得去寫那就上網路上搜搜影片英語的影評。用自己的感情寫出來的東西是最真實。即便是不會寫很華麗的辭藻但最起碼不做作質朴就哦了。加油。相信你會寫出來的。樓上的影評太大眾了。直接搜的不好。一看水平老師就知道了。高中生可以這么摘抄加點自己的東西。初中生就最好自己練練。樓主既然有心網路上求這。就說明你重視。加油
Ⅲ 求電影《朗讀者》的英文影評~~~~~~~~~~~~~~
電影簡介
http://www.allmovie.com/work/the-reader-413688
影評，影片故事背景
http://www.rottentomatoes.com/m/reader/
http://www.startribune.com/entertainment/movies/36686529.html
凱特溫絲萊特簡介
http://www.rottentomatoes.com/celebrity/kate_winslet/biography.php
Ⅳ 求一篇英文讀書筆記，兩篇英文電影影評
《簡·愛》 英文讀後感
Jane Eyre — A Beautiful Soul
Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:
We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.
We remember her pursuit of justice. It』s like a companion with the goodness. But still, a virtuous person should promote the goodness on one side and must check the badness on the other side.
We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God』s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality.
We also remember her striving for life, her toughness and her confidence…
When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.
Actually, she wasn』t pretty, and of course, the ordinary appearance didn』t make others feel good of her, even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease, so when Miss Ingram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than 『the plain and ugly governess』. But as the little governess had said: 『Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!』 This is the idea of equality in Jane Eyre』s mind. God hadn』t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impress us so much and let us feel the power inside her body.
In my mind, though a person』s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn』t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it』s not true, they will like the person no more. For a long time, only a person』s GREat virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that 『Beauty is a heart enflamed and a soul enchanted』. I can feel that how beauty really is, as we are all fleshly men, so we can』t distinguish whether a man is of nobleness or humbleness, but fleshly men, so we can』t distinguish whether a man is of nobleness or humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.
Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.
《終結者》The Terminator英文影評
The Terminator is a blazing, cinematic comic book, full of virtuoso moviemaking, terrific momentum, solid performances and a compelling story.
The clever script, cowritten by director James Cameron and procer Gale Anne Hurd, opens in a post-holocaust nightmare, A.D.2029, where brainy machines have crushed most of the human populace. From that point, Arnold Schwarzenegger as the cyborg Terminator is sent back to the present to assassinate a young woman named Sarah Connor (Linda Hamilton) who is, in the context of a soon-to-be-born son and the nuclear war to come, the mother of mankind's salvation.
A human survivor in that black future (Michael Biehn), also drops into 1984 to stop the Terminator and save the woman and the future.
The shotgun-wielding Schwarzenegger is perfectly cast in a machine-like portrayal that requires only a few lines of dialog.
《籬笆牆外》Over the Hedge英文影評
"Over the Hedge" is one of the few comic strips in which you will find debates about the Theory of Relativity, population control and global warming. None of those issues are much discussed in the new animated feature inspired by the strip, but there is a great deal about suburban sprawl, junk food and the popularity of the SUV .
The movie opens with the coming of spring and the emergence from hibernation of many forest animals, including some that do not actually hibernate, but never mind. Vincent the bear awakens to find that his entire stash of stolen food has been -- stolen! He apprehends the master thief RJ the raccoon and gives him a deadline to return the food, or else. RJ cleverly mobilizes the entire population of the forest to help him in this task (ring which he does not quite explain the bear and the deadline). And together they confront an amazing development: During the winter, half of their forest has been replaced by a suburb, and they are separated from it by a gigantic hedge.
That's the setup for a feature cartoon that is not at the level of "Finding Nemo" or "Shrek," but is a lot of fun, awfully nice to look at, and filled with energy and smiles. It's not a movie alts would probably want to attend on their own, but those taking the kids are likely to be amused, and the kids, I think, will like it just fine.
Once again we get an animal population where all the species work together instead of eating each other, and there is even the possibility of interspecies sex, when a human's house cat falls in love with Stella the skunk. There is also the usual speciesism; mammals and reptiles are first-class citizens, but when a dragonfly gets fried by an insect zapper, not a tear is shed.
These animals once ate leaves and roots and things, but all that has changed since Hammy the squirrel discovered nacho chips. The animals find these so delicious, they are the forest equivalent of manna, and RJ, who usurps leadership of the bunch from Verne the turtle, is happy to lead them to the promised land of nachos and other junk foods, in the garbage cans and kitchens of humans.
Like all humans who like to live with a view of beautiful forests, the humans in "Over the Hedge" are personally offended that they are occupied by animals. Gladys (Allison Janney), the head of the homeowners' association, is personally affronted that RJ and his cronies might violate her garbage can, and brings in Dwayne (Thomas Haden Church), a pest control expert known ominously as The Verminator. "I want them exterminated as inhumanely as possible," she tells him. She's all heart.
The encroachment of the forest animals and the efforts of the Verminator in "Over the Hedge" don't approach the wit and genius of a similar situation in the Academy Award-winning "Wallace & Gromit: The Curse of the Were-Rabbit" (2005), but then how could they? This movie is pitched at a different level. But the action scenes are fun, the characters are well-drawn and voiced, and I thought the film's visual look was sort of lovely. If the animals lack the lofty thinking of their originals on the comics page, they are nevertheless a notch or two above the I.Q. levels of many an animated creature.
They have to be. It's a hard life for a forager these days, when you're caught between an angry bear on one side of the hedge and a street hockey game on the other.
不知合不合你意願，希望可以吧。英語學習一定要加油哦，Good Luck！！！
"上面的那個 簡愛 讀後感 就是中學生水平的 啊」
Ⅳ 猩球崛起的英語影評
背景資料：《猩球崛起》是經典系列科幻電影《人猿星球》的前傳，它講述了由於人類自負導致了猿猴智力的發展，猿族與人類之間爆發戰爭，以及地球上的人類是如何在各種自私自利下，一步一步的走向滅亡。《阿凡達》的特效團隊為本片製造出了上百個逼真的猩猩，加上先進的日觀等下動作捕捉技術，視覺效果絕對令你震撼。
Among the trillions of binary digits skittering across screens this summer, a vibrant minority have been gathered into a shrewd, coherent, and fully felt movie. I』m speaking of the expertly crafted 「Rise of the Planet of the Apes,」 by far the best spectacle movie of the season, and one of the few films to use digital technology for nuanced dramatic effect.
今夏，由數以萬億計的二進制數字信號組成的電視節目充斥著熒屏，其中，一小撮活躍的信號組成了一部精緻巧妙，情節連貫，讓人感同身受的電影。我講的就是製作優良的《人猿星球的興起》——本季度目前為止最好看的奇觀電影，它也是為數不多的應用數碼技術達到細致入微戲劇性效果的電影之一。
「Planet,」 of course, draws on the old species-reversal conceit worked out by Pierre Boulle in his 1963 novel, 「La Planète des Singes,」a book that launched a cluster of movies and television shows, most notably Franklin J. Schaffner』s 「Planet of the Apes」 (1968). In that mock epic, the manacled, nearly naked Charlton Heston is rated an interesting specimen by a variety of simian overlords.
如你所想，「星球」一詞是援引於Pierre Boulle 在1963年寫的小說《人猿星球》，它講述了由於人類自負導致物種的逆向進化。這本小說被改編成一系列的電影和電視節目，其中最著名 的是Franklin J. Schaffner於1968年執導的《人猿星球》。電影中，Charlton Heston 被種類繁多、濟濟為患的猿猴們俘虜，他戴著腳鐐，近乎赤裸，並被看作是一個有趣的外物種標本。
The new movie draws not only on Boulle』s outrageous idea but on some of the most enringly suggestive fables we know. It begins as a benevolent version of the Frankenstein story. Will (James Franco, trying harder than usual)， a young genetic engineer working for a San Francisco biotech company, creates a serum that reverses brain damage. (He wants to treat his father, Charles—played movingly by John Lithgow—who has Alzheimer』s。) The company tests the serum on apes, one of which goes mad and has to be destroyed. But Will takes home the ape』s baby, Caesar, who has inherited his mom』s supercharged gray matter, and he and Charles raise him as a pet.
而今年的新作不僅傳承了Boulle 奇異駭人的思路，也融入了我們熟悉的，最久為流傳、引人聯想的傳奇故事。電影以一個和諧的弗蘭肯斯坦式的場景開始。Will (James Franco飾演，這次他表演得更賣力)，是一位年輕的基因工程師，在舊金山的一家生物科技公司工作。他發明了一種可以逆轉人腦損傷的血清。(他的父親Chales，由John Lithgow 精彩飾演，患有阿爾茨海默氏病，Will想治癒父親的病)。公司用這種血清在猿猴身上做實驗，而其中的一隻瘋掉了，必須處死。好心的Will 將它的孩子Caesar帶回了家，和父親Chales一起把他當成寵物養了起來。
Caesar swings through the house, leaping up and down stairs and throwing himself in and out of the attic, but he sits quietly at the dinner table, too. He listens, he grunts, he eats, he makes signs. He』s a darling little ape.But there』s a joke buried in our wonderment: we all anthropomorphize our pets, finding spirit, even conscience, in beautiful collies, in cool, blue-eyed Siamese cats, in potbellied pigs. Out of affection, we see what we want to see of ourselves.But Caesar really is like us, in many ways.
Caesar繼承了他母親的強健的運動體質，活動能力很強。他在屋裡亂竄，在樓梯上跳上跳下，在閣樓里蹦進蹦出，但在餐桌邊還是會安靜的坐著。他聽人講話，發出叫聲，吃喝東西，還會做肢體語言，是一隻可愛的小猿猴。在我們驚嘆於它的靈活的背後卻有些諷刺：我們都將寵物擬人化——我們在漂亮的牧羊犬，藍眼睛的暹羅貓，胖肚皮的小豬身上尋找某種精神，甚至是良心，而不是在人群中感受到這些。出於喜愛，我們從他們身上看到了一些在人類社會中想看到的東西。但是，Caesar 確實在很多方面與我們很像。
He plays and chatters like a chimp, but, like a child, he needs protection and reassurance, and then—a fellow-primate to the rescue—he rushes to the defense of Charles, his ailing 「grandfather,」 when he』s attacked by a neighbor. An empathic ape! The screenwriters, Rick Jaffa and Amanda Silver, and the director, Rupert Wyatt, create many small gestures, glances, and pauses that anchor the improbable turns of the story.At one point, Charles, confused, holds a fork by the wrong end, and Caesar slowly, gently takes it out of his hand and turns it around. The scene is ineffably, absurdly touching, the sweetest expression of family love seen in recent films.Pierre Boulle』s novel was sardonic, even maliciously satirical—science fiction with a tickle. But 「Rise of the Planet of the Apes」 discovers a new emotion: what you』d have to call interspecies pathos.
他像黑猩猩一樣地玩耍、喃喃自語，又像小孩子一樣需要保護和安慰，他還是一個能提供援助的靈長類同胞——在他生病的「祖父」Chales受到鄰居攻擊的時候，他迅速沖出來保護Chales。真是一隻富有感情的猿猴！電影編劇Rick Jaffa 和Amanda Silver,以及導演Rupert Wyatt為人物設計了許多細微的言行、眼神以及停頓來鎖定故事的進展(雖在真實生活中不太可能發生)。一天，Chales犯病了，他拿起叉子吃飯卻將叉尖朝著自己。這時Caesar 慢慢地輕輕地地將叉子從他手裡拿過來，反過頭去，再放回他手心。這個場景是無法言喻的感人至深，它對家庭之愛的表達是最近所有電影中最貼心的。Pierre Boulle 的原著有些嘲諷，甚至是惡意的諷刺，有一點科幻小說的味道。而《人猿星球的興起》則揭示了一種新的感情：物種間的同情愛憐。
Andy Serkis, who was the emaciated, depraved, ground-hugging Gollum in the 「Lord of the Rings」 trilogy, plays Caesar—that is, he lends his body and face, covered with reflective markers, to image-makers who then, employing the techniques of motion capture, create a digitized simulacrum of an ape, but an ape that has unrivalled flexibility and expressiveness. The filmmakers have pulled off a stunning paradox: Caesar is much more human than an entirely digitized creation, and much more apish than an actual ape—faster, stronger, more exuberant in his knuckle-dragging, chin-thrusting, lunging glory. Caesar becomes an adolescent; hormones kick in, and he turns violent, doing bongo numbers on his enemies with his fists. At last, digital fantasy means something: we are not watching a ll-brained superhero banging off walls like a fly in a bottle; we are watching an animal with suddenly enhanced powers who still behaves recognizably like an animal. But a juiced-up ape can become something more than fun for us—he can shock us with his power, even inspire terror.There』s a premonition early in the film: when a leashed German shepherd barks at Caesar, he roars back at the dog, and then, climbing into Will』s car, surly and sad, he signs with his hands that he feels like a pet—it』s a complaint, a question, and a challenge.
Andy Serkis，就是《指環王》三部曲中那個消瘦憔悴、腐化墮落、生活在社會底層的Gollum,在本劇中扮演Caesar。形象設計師用具有猿猴特徵的行頭從頭到腳裝扮Andy,然後採用動作捕捉技術製作出一電子模擬猿猴，這只猿猴行動非常靈活，亦善於表達。電影製作人成功設計出了Caeser這個引人入勝的矛盾形象：與純粹的電子製作物相比，他更富人性；而與真實的猿猴相比，他更富物種特性——指關節拖動力與咀嚼能力更強大，而且精力充沛，進攻性強。很快，Caesar 長成了青少年，由於體內激素的作用，他變得暴力起來，拳頭像敲小鼓似的打在敵人身上。這些奇妙的數字化影像最終是想揭示一些道理：我們不是在觀看一個木腦袋的超級英雄像沒頭蒼蠅一樣在瓶子里亂撞，而是一隻忽然獲得巨大力量的猿猴，卻仍表現的像個動物。一隻給電影倍添精彩的猿猴可不僅僅是個笑料，想想看：他力大無比，足以震懾我們，甚至能夠挑起暴動。其實，在電影開頭就由一個不太好的預兆：當一支被拴著的德國牧羊犬朝Caesar狂吠的時候，Caesar反咬回去，然後上了Will的車。他粗魯打著手勢，對自己是寵物的身份很不滿意——這是抱怨，是疑惑，也是挑戰。
A second fable moves into place. The violent Caesar gets sent to an ape compound, where he』s forced through steel mazes, prodded, and stun-gunned. The imprisonment is unbearable: he experiences the humiliation that a mere mb animal would never feel.Gorillas, orangutans, and other chimps live with him in the compound, and Caesar quickly becomes a leader of apes. For a while, the movie turns into the latest version of 「Escape from Alcatraz,」 reaching its climax in a single syllable, a roaring 「No!」—Caesar』s first word, a refusal that caused the audience when I saw the movie to go ape.
接下來，第二則傳奇故事出現了。暴力的Caesar被送到一個猿猴基地。這個基地內部被鋼架隔開，結構錯綜復雜，他在這里受到體罰，甚至會被槍桿打暈。被囚禁的滋味是難以忍受的：他在這里經受著羞辱，一種啞巴牲口永遠感覺不到的羞辱。非洲大猩猩、褐猿，還有其他的黑猩猩和他住在一起，很快，Caesar成了他們的首領。接下來，鏡頭轉到最新一版《逃離惡魔島》的畫面，Caesar的一聲怒吼「No!」——他的第一句話——將電影推向高潮，這一聲拒絕也讓觀眾們吃驚地張大了嘴：「NO！」。
Ⅵ 求《朗讀者The Reader》的英文書評或影評
This poignant film took a devastating look at Germany post WWII. Having lived in, and being born in Germany, before the fall of the wall, I have witnessed the sense of guilt that does not easily leave a nation. Even young Germans today do not identify with the Germany of the past.
Kate Winslet's intricate and provocative performance was incredible. She embodied Hanna Schmitz in every emotion and detail. I definitely see David Kross' career blossoming as well, as a direct result of this film.
Many people argued at the Berlin FilmFest last month that this film was all about the Holocaust, but directly, it is not. It is about guilt, illiteracy, love, loss, family, and questioning everything we know. Nevertheless, the aftermath the Shoah is shown on screen in the highest of sensitivity. I really defend the high amount of Holocaust films being made; that period in history; WWII is fascinating and devastating and every story must be told.
The Reader is undeniably the top film of 2008 and worth every accolade it receives.
Ⅶ 觀看兩部英文電影或閱讀兩本英文小說,寫100字左右觀後感或讀後感。
Pride and Prejudice,one of Jane Austen』s greatest works,was published in 1813.It talks about trivial matters of love,marriage and family life between country squires and fair ladies in Britain in the 18th century.The novel that attracts reader most is the wonderful vivid presentation of characters,especially through their witty and bright conversations.In Pride and Prejudice,people with different characters have different attitudes to love which leads to their various marriages.The three couples,varied in their characters,presented us with three different distinct marriages.
我的論文的一部分哈,貢獻給你了.
是英語原聲電影觀後感,傲慢與偏見
Ⅷ 讀書觀後感英文作文
A Review of Robinson Crusoe--《魯賓遜漂流記》讀後感
This is a novel by the English author Daniel Defoe, published in 1719. It is one of the most popular adventure novels in all literature. It is the story of Bobinson Crusoe, an Englishman who is shipwrecked in a lonely tropical island. He builds himself a hut, grows his own food, and becomes self-sufficient. After 23 years he meets with a group of cannibals and rescues one of their prisoners, a young native whome he calls Friday.Crusoe and his「man」Friday become close friends, and when they are finally rescued four years later, both return to England.
Robinson Crusoe was partly based on the actual deeds of Alexander Selkirk, an 18th-century Scottish sailor who spent almost five years alone on a desert island. This novel is famous for its lovely details and its expression of belief in man's ability when left alone in nature.
Ⅸ 求寫一篇英語讀物的評論。。。。要英文寫的。。。。。
1.Title: The Little Prince
2.Author: Antoine de St-Exupery
3.The page number:103
4.Main Keys: The little prince, the pilot, the rose, the fox, the snake, etc.
5.Outline : 「I」, the narrator of the story, is a pilot whose plane has something wrong and lands in the Sahara. In this occasion, the pilot makes the acquaintance of the little prince, a little boy from another planet, the Asteroid B612. The little prince has escaped from his tiny planet, because he has some quarrel with a rose, which grows on his planet. In that case he left his own planet and took an exploration at some neighbor asteroids.
On his all-alone journey, the little prince meets different kinds of people, which includes a king, a conceited man, a tippler, a businessman, a lamplighter and a geographer. From these people he gets a conclusion that the grown-ups are very odd. Following the instruction of the geographer, he descends in the Sahara, on the earth.
Traveling on the earth, the little prince, who sees a garden of five-thousand roses, is overcome with astonishment and sadness, as he considers his rose is unique in the universe before. At that time a fox appears. The fox, who tell the little prince about the meaning of the word 「tame」, becomes his new friend. At the time to say farewell, the fox makes him know that his rose is unique because she is his rose and tamed by him. From that the little prince begins to treasure friendship and be responsible to his rose.
At the anniversary day of his descent of the earth, rejecting the pilot』 advice, he goes back to his own planet by bite of a snake. 「It』s too far. I can not carry this body with me. It』s too heavy.」 he said. He tells his friend, the pilot, he must be responsible for his rose, so he has to go back.
6.Comment :
Despite I』ve not in my childhood yet, I still prefer reading fairy-tale stories. The tales, which accompany with me in my old days, often make me think of some precious experience and sensation which only belong to children. This summer I』ve review this kind of tale, which was published in 1940. It』s the world-famous fairy-tale by the French author, Antoine de St-Exupery, The Little Prince.
At the end of this story, the author doesn』t tell us the ending directly. Maybe it』s more significant for us to imagine, and for more, think over.
One of the important characters is the rose. Growing on the planet, she is very beautiful, but her coquetry and vanity suffer the little prince a lot. In spite of they love each other, he soon becomes unhappy. On the time of his departure, he just knows she certainly loves him. The character of the little prince actually represents the children, and their native thoughts and deeds. On the contrary, the inhabitants on the other planets, such as the king, the businessman and the conceited man, they also reflect the defects in the grown-up』s world. The real theme of this fairy-tale with a little sadness, I guess, is the consequence of pure love and friendship in our lives, but not others 「matters of consequence」 of the grown-ups.Unbelievable, this little book moved me a lot. I seldom think about the true meaning of love and life before. Well, now I can say, with my short sixteen-year』s life experience, it』s like the stars in the sky that lit my heart. The little prince is not only an ordinary fairy-tale for children, but also for grown-ups, and our teenagers. Nevertheless, when I read this book, I feel a little sad – about ourselves, whom are losing more and more innocence
Ⅹ 蝴蝶夢英文影評
Rebecca (1940) is the classic Hitchcock gothic thriller and a compelling mystery (and haunting ghost story) about a tortured romance. An expensively-proced film by David O. Selznick (following his recent success with Gone With The Wind (1939)), it was Hitchcock's first American/Hollywood film, although it retained distinctly British characteristics from his earlier murder mysteries. The somber film's screenplay (by Robert E. Sherwood and Joan Harrison) was based on a literal translation of Daphne Maurier's 1938 gothic novel of the same name, in the tradition of Charlotte Bronte's Jane Eyre. One of the film's posters asks the intriguing question: "What was the secret of Manderley?"
The film creates a brooding atmosphere surrounding the tragic courtship, marriage and relationship of a naive, plain and innocent young woman (Joan Fontaine) to a brooding and overburdened widower - an aristocratic, moody patriarch (Laurence Olivier) who lives in an estate named Manderley. The pathetic, bewildered and shy bride experiences fear, pain and guilt when psychologically dominated by the 'presence' (and memories) of the deceased first wife (named Rebecca but never seen on screen), and when she is tormented by Rebecca's blindly adoring, sinister and loyal housekeeper's (Anderson) recollections of the dead woman. Only by film's end, with the flaming destruction of the estate, do the real character and secrets of Rebecca's death become clear. Many well-known actresses tested for the part of the young woman - Loretta Young, Margaret Sullavan, Anne Baxter and Vivien Leigh (her role in Gone With the Wind (1939) made her participation impossible), and Ronald Colman was also considered for the male lead role.
This black and white film received eleven Academy Award nominations - and won for the nominated director his first and only Best Picture Oscar, beating out strong competition in 1940 from The Grapes of Wrath, The Great Dictator, The Philadelphia Story, and Hitchcock's own Foreign Correspondent. With his Best Picture win, Selznick became the first procer to win consecutive Best Picture Oscars. The film also won an Academy Award for Cinematography (George Barnes), and was nominated in nine other categories, including Best Actor (Olivier), Best Actress (Fontaine), Best Supporting Actress (Judith Anderson with her sole career nomination), Best Director (Hitchcock's first nomination in this category), Best Screenplay, Best B/W Interior Decoration, Best Original Score (Franz Waxman), Best Film Editing, and Best Special Effects.