如何閱讀文學英語作文
Internet is essential for a modern sociaty.First of all,internet is used as one of the most important communication tools between nations,cooperations and indivials.People can share their information,ideas and news online,which may be spread out very fast.However internet is also a double edged sword.As the identities of the users are not required online,this makes the internet a perfect platform for people to commit crimes.Without real identities,it is not easy to catch the criminals if they commit crimes online.
⑵ 急求一篇關於如何讀書的英語作文，快啊！
中文：
在法國，從政府要員到作家、教授乃至普通百姓，幾乎都有愛書和讀書的習慣。難怪一位法國人說：「如果房間里沒有書，就彷彿一個人沒有靈魂。」是不是可以這樣說呢？法國人之讀書，並不是因為生活的負擔和生活的壓力，而是因為受濃厚興趣和美妙情愫的牽引、役使。
如果把讀書視為心靈的旅程的話，那麼從容實在是最為緊要的了。你無論讀什麼，都需要給自己一段完整的時間、一個靜謐的氛圍——寫作是個人行為，讀書又何以不是個人體驗？讀書一旦進入了從容的境界，則定然像元人吳徽所說「尚友古之人焉」，也就是說，此時此刻，讀書人已在精神上與古人相溝通、相交流，從而陶冶、凈化、提升了自己的心靈世界。
從容讀書的真諦若此，然而，卻並非人人都能把握。最近，從報上看到這樣兩則故事，覺得頗能說明問題。南北朝有一名學者叫陸澄，他從小好學，青燈黃卷，行坐眠食，手不離書。可讀三年《易經》，背得滾瓜爛熟，卻不明白其中的道理。從表面上觀之，「讀三年《易經》」怕是夠從容的了，然而，不求審美體驗、感情共鳴，不求甚解，又怎與從容讀書沾上邊去？同是讀書，亦喜背誦，文學巨匠茅盾卻從容得可以。他照樣能熟練地背出120回的《紅樓夢》，茅盾在長篇小說創作上取得巨大成就，不就歸源於其從容讀書，能夠把書本知識轉化為精神的養料？
鎮鎮定定、從從容容讀書的人，怕不乏讀書的情趣。想當年，司馬溫公啟卷「必先幾案潔凈，藉以茵褥，然後端坐之」，有的則「夜雨孤燈亂翻書」，有的以為「讀書要在床上、爐旁、霧煙中、酒瓶邊才行，這樣才能讀出味道來」。於是，我猜想魯迅讀史，從通篇盡是「仁義道德」的字縫里，看出滿本都是寫著「吃人」兩字，看出了幾千年的歷史只有兩個時代，即百姓想做奴隸而不得的時代和暫時做穩了奴隸的時代——這石破天驚之言，固然依恃的是其慧眼睿識，然而，何以不跟魯迅一茶一煙相伴，不慌不忙解構、有滋有味剖析有關？
一個人真要做到從容讀書，沒有把讀書當作心靈義務，沒有把一段青春時光託付給高貴的思想和真誠的文字，那大抵是不行的。因為不想從容讀書者，自可以有諸多的理由，什麼世界太吵呀，熱鬧事太多呀，誘惑太強呀，等等。亦難怪古代不少讀書人總是把靜坐作為理學的必修課，以清心寡慾，打消雜念。朱熹告誡讀書人說：「當靜坐涵養時，正要體察思繹道理。」程頤則「每見人靜坐，便嘆其善學。」是啊，只有沖破名韁利鎖，耐得住寂寞，經得住誘惑，方能從容讀書。從這個意義上說，讀書該是無條件的，它完全取決於自我的選擇。就拿法國密特朗總統來說，他從政數十年，無論政務活動多麼繁忙，每天不讀兩小時書總是夜不安寢的。一個國家的總統其繁忙程度當是可想而知的，其尚且能夠從容讀書，那麼我們呢？
著名作家茹志娟書室掛著寫有「煮書」二字的條幅。她說：「書，光看是不行的，看個故事情節，等於囫圇吞棗，應該精讀。然而，還不夠，進而要『煮』。『煮』是何等爛熟、透徹。」
如果把好的書籍視為朋友，那麼一個不會「煮書」的人，坐在一群才華橫溢的朋友中間，除了是一具木偶、一個諷刺和一種折磨而外，又能是什麼呢？有位書人說：「每個人都是一個神，然後才有奧林匹斯神界的歡聚。」說得多精彩呵！欲要成「神」，則不妨從「煮書」始，不妨學會從容讀書！
或許，我們窮盡一生亦無法接近從容的境界，然而，崇尚從容品質的過程，毫無疑問已經開始從容了。
英文：
In France, from government officials to writer, professors and ordinary people, almost all have love books and the habit of reading. No wonder a French man said: "if the room no book, just like a person who has no soul." If we can say so? The French study, not because of the burden and living life pressure by strong interest, but because the traction, feelings and wonderful USES.
If the journey of mind reading as words, so calmly really is the most critical. Whatever you read what, all need to give yourself a few full time, a quiet atmosphere -- writing is indivial behavior, reading and why not personal experience? Reading once in the calm state, is coupled to YuanRen WuHui said, "as the ShangYou ancient how", that is to say, at this moment, the scholar has mentally and the ancients photograph communication, phase communication, thereby edify, purification, raised his mind world.
If the essence of easy reading, however, but not everyone can grasp. Recently, read this story and think two quite will tell. LiuCheng northern-southern dynasties have an academician, he called from QingDengHuangJuan, studious, do not eat, sleep sitting hand book. Can read back the I ching, three years out, but they don't know the truth. On the surface, "read three years view the I ching" quiet, even enough, however, aesthetic experience, not sentimental sympathetic chord, natural, how to touch with easy reading above? With is reading, also pleased to recite n, literature but calm enough. He can still expertly back out of 120 back in a dream of red mansions ", MAO n on novels made great achievements, don't return after its calmly reading, able to put the book knowledge into spiritual nourishment?
Town calm set, the leisurely, afraid of study is the appeal of the reading. Think that year, SiMaWen male rev roll "will start with a clean, and then through the amanita cotton-padded mattress sitting, others" night, "book" rooting around lonely lamp, some thought "reading in bed, furnace to smoke, fog, beside the bottles, such ability did edge to" read flavor. So, I guess, from lu xun histories are morality "-- the word seam in, see this is written with" eating people "two words, saw thousands of years history only two times, namely the people want to be a slave and shall not do the era and temporarily steadily slave era -- this ground-breaking of speech, is YiShi is its eye farce, however, why not general with lu xun's a tea a smoke concomitant, in no hurry deconstruction, flavorful analyzes relevant?
A man is really to do calmly reading, not treat reading as a soul, without giving a ty entrusted to noble DuanQingChun time thoughts and sincere words, that generally is no good. Because I didn't want to calm people, since there are many reasons can be, what world is too noisy ah, lively things too much ah, temptation is too strong, etc.? Also no wonder ancient many readers always put the sit-ins as required by the neo-confucianism, and reassure less-desired thoughts. Zhu xi warned readers said: "when sit-ins self-restraint, was experiencing thinking." truth scaling Cheng, "each see people sit, and then sigh its good study." Yes, only break, MingJiangLiSuo stand loneliness, stand lure, can easy reading. In this sense, reading this is unconditional, it depends entirely on self choice. Take the French President francois mitterrand, his politics for decades, no matter how busy governmental affairs in two hours every day, don't read books always night without AnQin. President of a country its busy unguided understandably, its extent even can calmly reading, then we?
Famous writer hanging RuZhiJuan book room.will reading "cooking the books" 2 words banners. She said: "books, light see is no good, see a story that equals huluntianzao, should intensive reading. However, return not enough, then cook '. 'to' how cooking 'transformational, lucid."
If the good books to friends, so one would not "cooking the books" person, sitting on a group of talented friends with, besides is among the puppet, an irony and a kind of torture and outside, and can what??? A book people said: "everyone is a god, and then have also Olympus." together Say well swum ha! Desire to make "god", it might as well from "cooking the books" beginning, might as well learn easy reading!
Perhaps, we end life also can't close to calm state, however, advocating calmly quality process, no doubt has started calmly.
⑶ 英語作文 閱讀技巧
英語作文 英語作文的基本要求：
首先，一個段落必須有一個中心即主題思想，該中心由主題句特別是其中的題旨來表達。整個段落必須緊扣這個主題（stick or hold to the topic），這就是段落的統一性（unity）。其次，一個段落必須有若干推展句，使主題思想得到充分展開，從而給讀者一個完整的感覺，這就是完整性（completeness or adequateness）。再者，一個段落不是雜亂無章的，而是有機的組合，句子的排列順序必須合乎邏輯，從一個句子到另一個句子的過渡必須流暢（smooth），這就是連貫性（coherence）。下面我們就對這三個標准分別加以說明。
1、統一性
一個段落內的各個句子必須從屬於一個中心，任何游離於中心思想之外的句子都是不可取的。請看下例：
Joe and I decided to take the long trip we'd always wanted across the country. We were like young kids buying our camper and stocking it with all the necessities of life. Bella bakes the best rhubarb pie. We started out in early spring from Minneapolis and headed west across the northern part of the country. We both enjoyed those people we met at the trailer park. Joe received a watch at his retirement dinner. To our surprise, we found that we liked the warm southern regions very much, and so we decided to stay here in New Mexico.
本段的主題句是段首句，controlling idea（中心思想）是take the long trip across the country。文中出現兩個irrelevant sentences，一個是Bella bakes the best rhubarb pie，這一段是講的是Joe and I ，中間出現一個Bella是不合適的。還有，Joe received a watch at his retirement dinner這一句更是與主題句不相關。再看一個例子：
My name is Roseanna, and I like to keep physically fit. I used to weigh two hundred pounds, but I joined the YMCA for an exercise class and diet program. In one year I lost eighty pounds. I feel much better and never want to have that much weight on my five-feet frame again. I bought two new suitcases last week. Everyday I practice jogging three miles, swimming fifteen laps, lifting twenty-pound weights and playing tennis for one hour. My mother was a premature baby.
本段的controlling idea 是like to deep physically fit，但段中有兩個irrelevant sentences，一個是I bought two new suitcases last week，另一個是My mother was a premature baby。
從上面兩個例子可以看出，native speakers同樣會造出來irrelevant sentences。卷面上如果這種句子多了，造成偏題或離題，那問題就更嚴重了。
2、完整性
正象我們前面說得那樣，一個段落的主題思想靠推展句來實現，如果只有主題句而沒有推展句來進一步交待和充實，就不能構成一個完整的段落。同樣，雖然有推展句，但主題思想沒有得到相對圓滿的交待，給讀者一種意猶未盡的感覺。這樣的段落也不能完成其交際功能。例如：
Physical work can be a useful form of therapy for a mind in turmoil. Work concentrates your thoughts on a concrete task. Besides, it is more useful to work —— you proce something rather than more anxiety or depression.
本段的主題句是段首句。本段的兩個推展句均不能回答主題句中提出的問題。什麼是「a mind in turmoil」（心境不平靜）Physical work又如何能改變這種情況？為什麼它能起therapy的作用？讀者得不到明確的答案。因此，要達到完整就必須盡可能地簡明。例如：
It is not always true that a good picture is worth a thousand words. Often writing is much clearer than a picture. It is sometimes difficult to figure out what a picture means, but a careful writer can almost always explain it.
段首句所表達的主題思想是一種看法，必須有具體事例加以驗證。上述兩個推展句只是在文字上對主題作些解釋，整個段落內容空洞，簡而不明。如果用一兩個具體的例子的話，就可以把主題解釋清楚了。比如下段：
It is not always true that a picture is worth a thousand words. Sometimes, pictures are pretty useless things. If you can't swim and fall in the river and start gulping water, will you be better off to hold up a picture of yourself drowning, or start screaming "Help"?
3、連貫性（coherence）
連貫性包括意連和形連兩個方面，前者指的是內在的邏輯性，後者指的是使用轉換詞語。當然這兩者常常是不可分割的。只有形連而沒有意連，句子之間就沒有內在的有機的聯系；反之，只有意連而沒有形連，有時行文就不夠流暢。
1）、意連
段落中句子的排列應遵循一定的次序，不能想到什麼就寫什麼。如果在下筆之前沒有構思，邊寫邊想，寫寫停停，那就寫不出一氣呵成的好文章來。下面介紹幾種常見的排列方式。
A．按時間先後排列（chronological arrangement）
We had a number of close calls that day. When we rose, it was obviously late and we had to hurry so as not to miss breakfast; we knew the dining room staff was strict about closing at nine o'clock. Then, when we had been driving in the desert for nearly two hours —— it must have been close to noon —— the heat nearly hid us in; the radiator boiled over and we had to use most of our drinking water to cool it down. By the time we reached the mountain, it was our o'clock and we were exhausted. Here, judgement ran out of us and we started the tough climb to the summit, not realizing that darkness came suddenly in the desert. Sure enough, by six we were struggling and Andrew very nearly went down a steep cliff, dragging Mohammed and me along with him. By nine, when the wind howled across the flat ledge of the summit, we knew as we shivered together for warmth that it had not been our lucky day.
本段從「rose」（起床）寫起，然後是吃早餐（「not to miss breakfast」, 「closing at nine o'clock」），然後是「close to noon」，一直寫到這一天結束（「By nine——」）。
B. 按位置遠近排列（spatial arrangement）。例如：
From a distance, it looked like a skinny tube, but as we got closer, we could see it flesh out before our eyes. It was tubular, all right, but fatter than we could see from far away. Furthermore, we were also astonished to notice that the building was really in two parts: a pagoda sitting on top of a tubular one-story structure. Standing ten feet away, we could marvel at how much of the pagoda was made up of glass windows. Almost everything under the wonderful Chinese roof was made of glass, unlike the tube that it was sitting on, which only had four. Inside, the tube was gloomy, because of the lack of light. Then a steep, narrow staircase took us up inside the pagoda and the light changed dramatically. All those windows let in a flood of sunshine and we could see out for miles across the flat land.
本段的寫法是由遠及近，從遠處（「from a distance」）寫起，然後「get closer」，再到（「ten feet away」），最後是「inside the pagoda」……當然，按位置遠近來寫不等於都是由遠及近。根據需要，也可以由近及遠，由表及裡等等。
C. 按邏輯關系排列（logical arrangement）
a. 按重要性順序排列（arrangement in order of importance）
If you work as a soda jerker, you will, of course, not need much skill in expressing yourself to be effective. If you work on a machine, your ability to express yourself will be of little importance. But as soon as you move one step up from the bottom, your effectiveness depends on your ability to reach others through the spoken or the written word. And the further away your job is from manual work, the larger the organization of which you are an employee, the more important it will be that you know how to convey your thoughts in writing or speaking. In the very large business organization, whether it is the government, the large corporation, or the Army, this ability to express oneself is perhaps the most important of all the skills a man can possess.
這一段談的是表達能力，它的重要性與職業，身份有關，從「not need much skill」或「of little importance」到「more important」，最後是「most important」。
b.由一般到特殊排列（general-to-specific arrangement）
If a reader is lost, it is generally because the writer has not been careful enough to keep him on the path. This carelessness can take any number of forms. Perhaps a sentence is so excessively cluttered that the reader, hacking his way through the verbiage, simply doesn't know what it means. Perhaps a sentence has been so shoddily constructed that the reader could read it in any of several ways. Perhaps the writer has switched tenses, or has switched pronouns in mid-sentence, so the reader loses track of when the action took place or who is talking. Perhaps sentence B is not logical sequel to sentence A —— the writer, in whose head the connection is clear, has not bothered to provide the missing link. Perhaps the writer has used an important word incorrectly by not taking the trouble to look it up. He may think that "sanguine" and "sanguinary" mean the same thing, but the difference is a bloody big one. The reader can only infer what the writer is trying to imply.
這一段談的是a writer's carelessness，先給出一個general statement作為主題句，然後通過5個 」perhaps」加以例證。
c. 由特殊到一般排列（specific-to-general arrangement）
I do not understand why people confuse my Siamese cat, Prissy, with the one I had several years ago, Henry. The two cats are only alike in breed. Prissy, a quiet, feminine feline, loves me dearly but not possessively. She likes to keep her distance from people, exert her independence and is never so rude as to beg, lick, or sniff unceremoniously. Her usual posture is sitting upright, eyes closed, perfectly still. Prissy is a very proper cat. Henry, on the other hand, loved me dearly but possessively. He was my shadow from morning till night. He expected me to constantly entertain him. Henry never cared who saw him do anything, whether it was decorous or not, and he usually offended my friends in some way. The cat made himself quite comfortable, on the top of the television, across stranger's feet or laps, in beds, drawers, sacks, closets, or nooks. The difference between them is imperceptible to strangers.
本段的主題句是段首句，它僅提出一個問題：為什麼兩只貓會被搞混。然後對兩者進行比較，末句才下結論。
2）、形連
行文的邏輯性常常要靠適當的轉換詞語及其他手段來實現。請讀下面這一段文字並找出文中用以承上啟下的詞語：
Walter's goal in life was to become a successful surgeon. First, though, he had to get through high school, so he concentrated all his efforts on his studies —— in particular, biology, chemistry, and math. Because he worked constantly on these subjects, Walter became proficient in them; however, Walter forgot that he needed to master other subjects besides those he had chosen. As a result, ring his junior year of high school, Walter failed both English and Latin. Consequently, he had to repeat these subjects and he was almost unable to graate on schele. Finally, on June 6, Walter achieved the first step toward realizing his goal.
本文中起承上啟下的詞語有兩種，一種是轉換詞語（transitional words or phrases），另一種是起轉換作用的其他連接手段（linking devices）。前者依次有：first, though, so, in particular, and, because, however, besides, as a result, both…and, consequently, and, finally.後者依次是：he, he, his, his, he, these, them, he, those, his, he, these, his. 本段中共有詞彙105個，所使用的轉換詞語及其他連接用語共26個詞，約占該段總詞彙量的四分之一。由此可見，掌握好transitions不僅對行文的流（smoothness）有益，而且對於學生在半個小時內寫120個詞也是不無好處的。
一個段落里如果沒有transitions也就很難有coherence了.我們看下面一個例子：
Speaking and writing are different in many ways. Speech depends on sounds. Writing uses written symbols. Speech developed about 500 000 years ago. Written language is a recent development. It was invented only about six thousand years ago. Speech is usually informal. The word choice of writing is often relatively formal. Pronunciation and accent often tell where the speaker is from. Pronunciation and accent are ignored in writing. A standard diction and spelling system prevails in the written language of most countries. Speech relies on gesture, loudness, and rise and fall of the voice. Writing lacks gesture, loudness and the rise and fall of the voice. Careful speakers and writers are aware of the differences.
本段中除了第6句開頭出現一個起過渡作用的」it」之外，沒有使用其他的過渡詞語.這樣，文中出現許多重復的詞語，全段讀起來也顯得生硬而不自然。如果加上必要的過渡詞語來修飾的話，這一段就成了下面一個流暢連貫的段落：
Speaking and writing are different in many ways. Speech depends on sounds; writing, on the other hand, uses written symbols. Speech was developed about 500 000 years ago, but written language is a recent development, invented only about six thousand years ago. Speech is usually informal, while the word choice of writing, by contrast, is often relatively formal. Although pronunciation and accent often tell where the speaker is from, they are ignored in wiring because a standard diction and spelling system prevails in most countries. Speech relies on gesture, loudness, and the rise and fall of the voice, but writing lacks these features. Careful speakers and writers are aware of the differences．
4、有損連貫性的幾種情況：
考生在寫作中經常出現下面幾種錯誤：
1、不必要的改變時態，比如：
In the movie, Robert Redford was a spy. He goes to his office where he found everybody dead. Other spies wanted to kill him, so he takes refuge with Julie Christie. At her house, he had waited for the heat to die down, but they come after him anyway.
2、不必要的改變單復數，比如：
Everybody looks for satisfaction in his life. They want to be happy. But if he seeks only pleasure in the short run, the person will soon run out of pleasure and life will catch up to him. They need to pursue the deeper pleasure of satisfaction in work and in relationships.
3、不必要的改變人稱，比如：
Now more than ever, parents need to be in touch with their children's activities because modern life has the tendency to cause cleavages in the family. You need to arrange family like it so that family members will do things together and know one another. You need to give up isolated pleasures of your own and realize that parents have a set of obligations to sponsor togetherness and therefore sponsor knowledge.
因此寫作中，一定要注意時態，人稱以及數的變化是否正確，要注意保持一致。
英語作文的書寫格式
英文書寫應符合書寫規范，英文字母要寫清楚、寫整齊、寫美觀，字母的大小和字母之間的距離要勻稱。書寫應做到字形秀麗漂亮，通篇勻稱和諧。
寫英文字母要掌握正確筆順。如字母i，應該先寫下面的部分，然後再打點。有的學生卻按寫漢字的習慣從上到下寫，寫快了，就會把點和下面的十筆連在量起，顯得十分別扭。字形t應為兩筆。不少人卻將兩筆合成一筆，看上去不像t，倒像l或是e，難以辨認。另外，把r寫成v，把q寫成把g，把k寫成h等等，都是中學生書寫中常見的毛病。
不少人在四線三格的練習紙上書寫尚有規矩，能按字母的占格、高低和大小要求書寫，但在白紙或橫線紙上書寫，卻顯得十分幼稚拙劣。字母或跳上跳下，或一律寫成同一高度，占上中兩格的字母與佔中下兩格的字母完全沒有高低之別。這些現象都要防止。
另外，書寫時還要注意詞與詞之間要保持一定的距離，不能緊靠在一起。字母之間的連寫也應該按照習慣，不能隨意亂來。
在一篇字數有限的作文里，我們還要注意盡量不把一個單詞拆開移行。萬一要移行，則必須以音節為單位進行，如revolution這個詞，依照音節移行的原則可以按re-，revo-, revolu-這幾種方法移行。在移行時，我們還應特別注意以下幾點:
1. 單音節詞不能移行，即使是字母較多的單音節詞，如through等也不能例外。
2．縮略詞如Mr.，Dr.等不能和後面的名字拆開移行。
縮略的專用名詞如U．K.，U．S．A等也不能拆開移行。
3．時間、量度及貨幣單位應視為一個整體；不能分開移行。如；
11：00P.M.應寫在一行內，不能將11：00和P．M．分開移行；寫38℃時，不能將38和℃分開移行。
4．由「年、月、日」表示的日期，如果必須分開移行只能將「月、日」與「年」分開。如January 6，1980不能將January和6分開移行，但可以把January 6，和1980分成兩行。
5．含雙寫輔音字母的單詞，在移行時要將輔音字母拆開。如better可拆成better，necessary可拆成necessary。
但如果雙寫輔音字母屬於詞根，後面又加了後綴，就不能將兩個輔音字母拆開。如drill加上-ing後構成了drilling，就不可以將它拆成成dril-ling，而只能拆為drilling。
例文：
1.寵物：
A Talkative Parrot
A lady worked in a company. There were a lot of shops on her way to work. One morning, when she was walking to work, she passed by a new pet shop. She was so excited when she saw a parrot sitting beside the door. She really loved birds.
When she stopped to look at the handsome bird, it said to her, "Hey, lady, you are really ugly.」
This made the lady very angry. She quickly left the shop and went to work. On her way home, she passed the same pet shop again. This time the parrot saw her again, it said immediately:
"Hey lady, you are really ugly!"
The lady tried to control herself. She walked to the shopkeeper and told him that if the parrot said it again, she would have the police come and take it away. "I'm so sorry, madam. I promise it won't happen again," the shopkeeper said.
The next morning, when the lady walked past the pet shop, she pretended that she didn』t see it. But the parrot saw her at once and said to her quickly, "Hey lady."
She stopped and looked at the bird coldly. "Yes?" she answered in an angry voice.
The bird, sitting up straight and smiling at her, said, "You know."
2.人物：
Elizabeth Bennet （伊麗莎白）
The second daughter in the Bennet family, and the most intelligent and quick-witted, Elizabeth is the protagonist of Pride and Prejudice and one of the most well-known female characters in English literature. Her admirable qualities are numerous—she is lovely, clever, and, in a novel defined by dialogue, she converses as brilliantly as anyone. Her honesty, virtue, and lively wit enable her to rise above the nonsense and bad behavior that pervade her class-bound and often spiteful society. Nevertheless, her sharp tongue and tendency to make hasty judgments often lead her astray; Pride and Prejudice is essentially the story of how she (and her true love, Darcy) overcome all obstacles—including their own personal failings—to find romantic happiness. Elizabeth must not only cope with a hopeless mother, a distant father, two badly behaved younger siblings, and several snobbish, antagonizing females, she must also overcome her own mistaken impressions of Darcy, which initially lead her to reject his proposals of marriage. Her charms are sufficient to keep him interested, fortunately, while she navigates familial and social turmoil. As she graally comes to recognize the nobility of Darcy』s character, she realizes the error of her initial prejudice against him.
Bennet家庭的第二個女兒和最聰明和機智，伊麗莎白是自豪感和偏見的主演和其中一個在英國文學的最知名的女性角色。 她令人敬佩的質量是numerous—she是可愛的，聰明，並且，在對話定義的小說，她一樣精采地交談象任何人。 她的誠實、美德和活潑的機智使她在胡話之上起來，並且彌漫她的壞行為類跳起和經常惡意的社會。 然而，她的伶俐的口舌和傾向經常做倉促評斷帶領她迷路; 自豪感和偏見本質上是故事她(和她真實的愛， Darcy)怎樣克服他們自己的個人failings—to發現浪漫幸福的所有obstacles—including。 伊麗莎白必須不僅應付一個絕望的母親，一個遙遠的父親，二非常表現的更加年輕的兄弟姐妹，並且幾位勢利，對抗的女性，她必須也克服Darcy她自己的錯誤印象，最初帶領她拒絕他的求婚。 而她駕駛家族和社會動亂，她魅力是充足保持他感興趣，幸運地。 當她逐漸來認可Darcy』s字元的貴族，她體會她對他的最初的偏見錯誤。
⑷ 閱讀古典作品重要性的英語作文
It is widely acknowledged that reading classics is both important and beneficial to the character development and personal growth of the young people. As for me, nothing can bring more joy and happiness than reading those masterpieces created by great figures like Confucius and Cao Xueqin. I believe works like The Dream in the Red Chamber and The Legend of Three Kingdoms can drastically elevate one's aesthetic taste and deepen the understanding of the glorious history of Chinese culture.
However, the modern society is full of temptations. Compared with TV soap operas, sport events, and video games, classical literary works are old fashioned and time consuming. In bookstores, 「Fast-food」 reading materials are replacing classics, and young writers with sensational and 「cool」 remarks win the support of a large number of fans.
we college students should be fully aware of the important role the classics play in broadening one's vision. Therefore, we should start reading and studying the treasuries our ancestors center and absorbing the essence of those classical works. We should also advocate to the public the importance of classics so that an increasing number of general people can enjoy the pleasure of reading.
⑸ 如何閱讀一本英文文學作品
首先要現本 習英語 建議做讀書筆記 我福爾摩斯迷 我高候買套原版福爾摩斯版全集權 句句翻譯 寫本 翻譯通順翻譯文版 並太清楚齡段 階段 6級 看較普通英文說 應該看知半解 建立查字典基礎 翻譯軟體或者網路呢 首先 字典比較權威 第二字典給詞語比較權威詞義及用 高或者初 讀英文原版說能晦澀點 說吃力討能太恰 確實費功夫 太適合東西 補充 樓說書蟲系列確實書建議始
⑹ 如何看待閱讀的英語作文
背誦的東西記得默寫
⑺ 如何學好語文閱讀、作文和英語、英語作文。
大量地閱讀抄，有目標地背誦一些好文章的段落；堅持寫日記，寫周記是比較好的提高作文水平的一種方法。
英文和中文一樣，閱讀和背誦不僅僅能提高英文的詞彙量，還能加深對英文單詞的含意、文章的語法和內容的理解。是一舉多得的好方法。
外研社出了一套《書蟲》的英語讀物，帶MP3光碟。故事很生動、有趣.
還有一套《床頭燈英語單詞3000》的聽力和閱讀的資料。
這兩套教材都可以在 www.verycd.com 網站上找到MP3文件和文本文件。可以為你節約很多銀子哦，呵呵！
試試吧，如果能把《新概念》第二冊的前30課背下來，我想你一定會感到閱讀和背誦的效果。
⑻ 怎樣閱讀英語原版文學名著
我現在也在讀瓦爾登湖 的英文原著呢
我是先從學校圖書館借了一本英漢雙語的，看專了漢語的譯本，覺得不太理屬想，又翻開讀了讀原著 瞬間有了一種清風拂面的感覺，於是我也決定讀原著
我的辦法是這樣的，如果在宿舍 就用電腦 ，下一個pdf版 <Walden>，這個新浪愛問人上有，再下載一個福昕 閱讀器，下一個有道詞典，這樣在電腦上讀就比較容易了，讀的時候滑鼠放在不認識的單詞上有道就告訴你漢語了，我英語還米有你好呢~~~
去上自習的時候 帶好電子詞典， 不懂的及時查就行，標注在書上，有時間的話可以自己翻譯上一段，特有成就感
瓦爾登湖真的是一本不錯的書，雖然這樣，我還是准備先把譯本讀一下，網上說徐遲的不錯，又有說仲澤的更勝一籌，我打算買仲澤 的修訂本 讀一下，再看原著，這樣比較好理解，再有我們在讀原著時不懂的地方也可以通過看經典譯本幫助理解~
對於瓦爾登湖，我就是這樣來的，希望可以幫到你~~
⑼ 關於高中生閱讀中國文學名著的英語作文
A Dream of Red MansionsThe novel A Dream of Red Mansions was written 200 years ago. During the last 200 years it conquered countless readers. A Dream of Red Mansions is the peak of ancient Chinese novel. It is also a well－ masterpiece in the world of literature. The author Cao Xueqin lived through the reigns of Emperors Kangxi, Yongzheng and Qianlong of the Qing Dynasty. At first his family was favoured by the emperor. But later his house was confiscated and his family sank to the rock bottom of the society. Cao Xueqin too turned from a noble scion to an impoverished youth. In his old age he was so poor that the whole family had to live on thin gruel. In the drastic change he experienced the ups and downs in the snobbish world and observed the sharp conflicts between the rich and the poor. He clearly understood the degenerating quality of his feudal aristocratic family. He wrote this immortal novel in the dire straits. Unfortunately he died in poverty and illness before he finished his work. He was still in his forties then. The novel originally entitled The Story of the Stone, also known as A Dream of Red Mansions, has 80 chapters finished. The rest 40 chapters are believed to have been added by Gao E. An outstanding achievement of A Dream of Red Mansions is that it successfully presents a heart－stirring tragedy, a tragedy of the society, of the time and of human life. A good part of the novel was assigned to the description of the daily depletion of Family Jia and the final bankruptcy of the influential family that had enjoyed a hundred years' prosperity. This symbolised the decline of the feudal society. Cao Xueqin devotes all his feelings to a number of trampled and destroyed young women whom he admired. Neither daughters of influential families nor maid－servants nor actresses from low origins escaped their tragical fate. The destruction of the beautiful invested the whole book with a grace of tragic. Since Jia Baoyu's birth his family arranged him a path to wealth and fame. But his special life experience turned him into a rebel of the feudal family. The genuine love between him and Daiyu was opposed by his family. At last he chose to go to a monastery. Daiyu was intelligent and gifted. She showed contempt to vulgar feudal scholars and denounced the hypocrisy of those who sought fame by way of writing stereotyped essays. She pursued Baoyu's genuine love, but she died in grief. Baochai observed the feudal moral code. To win her parents' favour and to ensure the family's interests, she was forced by Jia's mother and Lady Wang into marrying Baoyu. But she did not win love. She became a victim of the arranged marriage. The tragical marriage among Baoyu, Daiyu and Baochai is the main thread of the whole novel. Their love story has moved every reader. The greatest achievement of the novel lies in its convincing and vivid characterisation. Of the more than four hundred persons depicted in the novel, at least forty are highly indivialised. Under Cao Xueqin's pen those persons not only have their special looks, but their voices and emotions. The subtle mentality of the characters leaves indelible impression in the reader's mind.